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JoJo's Bizarre OC Tournament #5 - Round 3 Match 10 - Guy Manuel-Mota vs Ananas "Agnes" Bayley
The results are in for Match 8. The winner is… Funk Odyssey, with a score of 77 to Klein Bras-cheche Heitsugi’s 76! Category | Winner | Point Totals | Comments |
Popularity | Tie | 13-13 | This match bears the dubious honor of being the first in T5 not to strike the eight-vote threshold set in T3, meaning that the total value of each vote is reduced so to prevent extreme disproportionate leads. Luckily, it was a tie anyway, at 3.5-3.5. |
Quality | Tie | 26-26 | Reasoning |
JoJolity | Baker Street Rat Pack | 28-27 | Reasoning |
Conduct | TEAM | 10-10 | |
In the aftermath of the fight, there wasn’t much left of the stage - crystal, fungus, and scrap alike had all built up, scattered around the arena, and in the center of it all stood Funk Odyssey, skidding her bike to a halt after having eked out a victory at the last moment.
Klein and Funk both stood near each other, both breathing heavily and trying to recover after the tiring ordeal, amid a roar of applause from whoever was there to watch the exciting fight.
“AAAAND, WE HAVE A WINNER! A ROUND OF APPLAUSE FOR FUNK ODYSSEY! Wait, why’s the mic-” Cairo stopped in confusion, the microphone that was amplifying their voice cutting out all of a sudden. Shifting a glance towards the producers on set, it seemed like they weren’t aware of what caused the problem either.
Confused murmurs could be heard from the stand users on-set. Okay, this was a technical error, but this was obviously salvageable - Cairo’s dealt with worse in the past, so-
The already bad situation turned worse when the lights cut out entirely, the speakers in the warehouse humming to life again, though not by the hands of any of the crew members. A second later, a synthesized text-to-speech voice could be heard over the speakers.
“HELLO, CITIZENS OF LOS FORTUNA. THIS BROADCAST IS BEING HIJACKED. ”
What the fuck. Looking at one of the screens by the edge of the warehouse previewing the stream, Cairo could see that the stream’s been taken over entirely by whoever it was that did this, with them currently displaying some kind of placeholder image of a shrouded figure. Wasting no time, Cairo left the two combatants and made their way over to the filming crew, trying to figure out what the hell was happening and how it could be stopped.
“WHETHER DUE TO MALICE OR WILLFUL IGNORANCE, BEING SO NORMAL AND ITS CREW HAVE BEEN COMPLICIT IN VARIOUS CRIMES, BOTH DURING AND PRIOR TO ITS RUNTIME.”
Funk could hear the murmurings of stand users around her, and of Cairo and the rest of the crew trying to figure out what exactly was going on and how to stop them.
Was this Peter’s doing? Was that why he needed her to be here? Funk remembered hearing him mention the source for this investigation of his a few times - apparently he’d been working with a “Jesse Jefferson'' from the Agricultural District who’d gotten his hands on a flashdrive made by Nova Nascens containing this information, and thanks to Peter’s skills (combined with some stand magic from that magic house Jesse lived in that repaired the hard drive
every time it literally exploded in their faces).
Meanwhile, it seemed like the show’s producers were still struggling to regain control of the stream.
“CAIRO HAS BEEN COMPLICIT IN PROMOTING UNREST WITHIN THE INDUSTRIAL DISTRICT,
WORKING ALONGSIDE ODIN TO SEND STAND USERS TO FIGHT WITH LOCAL UNIONS, LEADING TO RECENT RISING TENSIONS IN THE AREA.“
“FURTHERMORE, OTHER MEMBERS OF STAFF HAVE COMMITTED VARIOUS OTHER CRIMES, BUT NONE AS MUCH AS THIS SHOW’S LEAD CAMERAWOMAN - CAROLINE JEFFORDS.” The screen shifted to an image of a brown haired woman, who Funk could only assume was caroline. Then, it began shifting to a series of other, well-laid graphs, documents, and images, all presenting evidence for the accusations shown up until now.
“OVER THE YEARS, THIS WOMAN HAS COMMITTED COUNTLESS CRIMES ALL FOR THE SAKE OF PROFIT USING HER STAND - SPYING ON FIGURES OF NOTE FROM WITHIN THE CITY AND SELLING THE INFORMATION TO THE HIGHEST BIDDER, REGARDLESS OF INTENT, AND COVERING UP CRIMES AND TAMPERING WITH SURVEILLANCE FOOTAGE FOR A PRICE. OF NOTE, EVIDENCE RELATING TO
THE RECENT AND TRAGIC DEATH OF THE LATE ANDRÉ TIFÀNI HAS BEEN TAMPERED WITH IN ORDER TO FURTHER SHIFT THE BLAME ONTO-”
The feed cut off entirely, power having simply been cut to the building entirely. If Peter had found a way to make the stream continue even after this, Funk wouldn’t be able to see it.
For a moment, the warehouse was dead silent. Then, murmurings began between the various stand users in the audience, no one knowing what to make of this information. Regardless of whether the feed was cut or not, one thing was clear -
The damage had already been done, and the truth had come to light.
Surprises are everywhere, and there’s still yet more mysteries to be uncovered. Two boys have found doubles of themselves, who’ve lived their same lives yet all within the bounds of the city, and the four are now fighting. You only have a few hours left to vote in that when this goes up. Scenario:
Sound’s Garden - Alexander Dickinson Amphitheater - Early Evening
The entrance to the theater which had, months ago now, put on one of the greatest shows in the city’s history had again been filled with eager people, wanting little more than to enjoy yet concert by Metra Doria, or “TD/MD”; it had been the first in a little while, her last appearances onstage being a string of benefit shows she’d performed for immediately after the destruction of Capital Island. They weren’t bad, critics had said, but far from her best work, as though spending several weeks kidnapped by the head of a citywide crime ring had affected her ability to perform or something.
Regardless, though, there were good feelings about this one, as since that fateful day, there hadn’t been a single bad show at the Alexander, and the local interview cycle had Metra come across as so much more genuinely excited than she had been, even if she also did publicly express her frustrations with the fact that, thanks to some act of sabotage, a leaking of information, the arrest of one Toby Fox had been subverted, and he and several of his buddies were still free to wreak their havoc.
Guy Manuel-Mota wasn’t much one to complain about a gig, whatever that job happened to be, and though he’d known the unscrupulous nature of his client, the garish Tigran “Golden” Sins, he also knew exactly how much money the guy had, so when he said that he and Fox had wanted a man on the ground at the stage out of fear that somebody might attack Metra, that even if he was trying to move past his affections for the girl, he’d still wished to keep watch over her, quietly.
If it was true, creepy. If it was a bold-faced lie, at least Guy knew damn well that they were good for their money if they had Seido fucking Shuto on retainer. Either way, he knew he’d get paid as long as he didn’t fuck up.
As Guy walked up to the ticket-takers, corralling eager audience members forward, he noticed them offering strange shiny wristbands to every single person who walked by, telling them “wear it if you want!” and finding, every time, that they just sort of mindlessly nodded and did just that.
When it came to be Guy’s turn, then, of course, he was much the same, accepting it and holding it in one hand, his stub in the other, as he looked the fake-gold, glittering accessory over, tilting his head as he noted the words, very subtly engraved, on it:
IWILLPLAY
“So… That’s your game, huh?” Guy asked, shrugging and slipping it on just like all the rest. He saw where this would go from here, and figured that what the guy paying him wanted was for him to play along.
“Uh, sir-” The ticket taker murmured and stammered at somebody, “sir, please, you can only take one! W-we need enough commemorative wristbands for a full house, so please-”
“Fuck off,” the pink-headed, ornery showgoer declared, yoinking the entire box away and fishing out several, putting a few all over his hands, “I want ‘em all!”
Huh… Guess that’s ‘trouble,’ right on cue. Should I lead him somewhere alone, or just wait for something, or..?
Before he could formulate a plan of action, Guy blacked out for what felt like a moment.
Sound’s Garden Eastern Strip - Metra Doria’s Apartment - Earlier that Day
“Well, well, well,” Ananas ‘Agnes’ Bayley said, before cracking open a can of soda, downing it in several drawn out seconds, cracking open a second, downing that in seconds, and then, a third time, before stacking all three, “how the turntables.”
“…” Metra gave him a look, one which Agnes smugly knew was her asking herself, in that moment, ‘am I seriously going to work with this guy?’ It was a feeling he reveled in, being unwanted and dreaded, yet at once needed and tolerated. “So… Will you come? I’ll hook you up with VIP merch, owe you one in general, just… I dunno. I’ve been feeling extremely good about this show, excited, but now that Fox is out there again, I feel like I need… Backup, I guess? Like, I could take any one of those guys in a fight on my own, sure, but with a huge crowd, and trying to focus on my stuff, and…”
“And Arpeggi and that fuckin’… catgirl were busy, I take it.” Agnes snickered, moving around the cans’ placement, never on one of Metra’s coasters, watching as little rings formed on the table. “Heh, fuck ‘em anyway. Dealing with a situation like this… You don’t need some ‘good guy’ worried about not making a mess or whatever. You need a bona fide villain to flex on these posers. Call it fate that I was available short-notice and they weren’t.”
“Just…” Metra sounded resigned. “Please don’t cause too much trouble. Damages will come out of your reward.”
“Snrk… Of course. It’ll come out of my pay. A sentence I hear every day from Gabanna, you know.”
With Metra’s reluctance and Agnes’ amusement, a deal had been struck.
Metra Doria, too, had been handed one of those strange wristbands, and she, too, seemed to black out suddenly, only realizing a moment too late exactly what, once again, this had all meant. She hadn’t approved ‘commemorative wristbands’ on the dossier, and the text on it… Goddammit!
But… Her green room looked almost identical. What the hell was going on? Maybe her backup dancers would know something, or Agnes had noticed… He’d at least report to her if he had figured something out, right? …right?
She stepped outside, then, only to find herself, and what she’d thought was her green room, atop a shelf in a very high-up, VIP area, a sort of outdoor box seating-type arrangement which the Alexander saved for its most prized guests. Almost always, somebody from Fox’s little club.
She had been shrunk down to the size of a game piece, and sitting at a table nearby, watched with interest by about half a dozen suits she had come to recognize, was a perfect recreation of the entire stage and seating areas of the amphitheater. As she tried to process this, then, her view was taken up entirely by the giant, punchable face of Tigran Sins.
“Evening, Metra! Looks like you underestimated me again… Heh, for some reason, people keep doing that.” The very garish man laughed, but his eyes were glaring down at her. Always, he’d hated her, resented the attention she’d taken from Fox. “Been awhile, hasn’t it?”
“Tigran… What the fuck did you do?” Metra curled her tiny hands into fists, allowing her Stand, the headphones often seen at her neck, to manifest, “you… How many people are down there? I hear so many voices murmuring, even from here!”
“Thousands upon thousands,” Tigran remarked, “all waiting none the wiser for the show you promised them… Including a side appearance from two Stand Users. You really put all your faith in a loose cannon like that Agnes kid who set a fire in my casino? You’ve been acting cool, but you’re desperate, aren’t ya? You know we’re here to stay… And what game we’re playing.”
“You… You’d better run the hell away fast as soon as we’ve won, because we will ruin you.”
She tried to sound defiant, there, but Metra was trembling.
“Some things, a Stand User just can’t beat with all their strength, Metra… Now, c’mon.” He held up a cute little tiny limousine, cracking the door open. “You’ve got a show to do.”
The crowd came to at once, already amassed within the amphitheater, seats filled, standing room similarly heavily occupied. There was hardly room to move one’s arms around in there.
Which, of course, Agnes was doing anyway, swatting people away and getting called rude words, cackling as he made for himself some space. Something was fucking up here, and he did not want to be caught off-guard by-
“Hey.”
“Shit!” Agnes jumped, then, and turned around, seeing Guy Manuel-Mota face-to-face, staring him down with a somewhat even expression.
“Hey, c’mon, I’m not that scary, am I?” Guy joked, rubbing his arms and making a point of showing off his bracelet, then gesturing at it, and at the stage, and saying, “anyway, my name’s Guy Manuel-Mota. You probably already realize this, Agnes, but… You’re already in a trap here. Both of us are stuck, even.”
“Heheh, what, are you trying to warn me or something? Well, I don’t need an alliance with you… So fuck off.”
“I wasn’t asking for one.” Guy corrected, then, adding, “you know how Tigran Sins works… The only way we’re getting out of this is through each other.”
“My fucking thoughts exactly,” Agnes answered, “and exactly what I came here for… A chance to pound that gold-wearing fuck’s face in. I hear he really hates that shit, so I’ll make it permanent.
Guy’s casual demeanor, then, turned into a stiff, serious face, hands at the blades on his person. “You won’t last that long.”
“Oh, you’re fucking on, you-” “Alright, Los Fortuna! Give it up for exactly what you came here for!” An announcer’s voice cheered on, then, ringing through the arena almost deafeningly loud, followed by a cascade of rising cheers.
The noise distracted Agnes, and Guy made his getaway.
“Back again at the Alexander Dickinson…”
Shit… So many people here, not even paying attention. Where did he go?
“Unbreakable, unshakeable, here to give the show of her life again as she always does… TD/MD!”
Metra strutted out onto the stage, then, to the cheers of the crowd, but Agnes noticed that she seemed to be frequently looking up towards the sky, or towards the various short-circuit cameras wired to display her on the jumbotrons. The crowd seemed too vapid, too fandom-consumed to notice, but there was apprehension in her every step in that casual yet elegant performing costume of hers.
“It means so much to me to see you all out here… Really, I appreciate every single one of you, even if I don’t know you! Just the fact that you came here…” She was trying not to sound guilty as hell there, for what she and all of them had fallen into. Agnes wasn’t sure whether to feel bad, to get mad at Tigran Sins for pulling one over on them again, or to laugh.
“So! I’m just going to start with a classic, alright? Keep the emergency exits in mind, but more than that, get ready, because what’s coming is something hard to describe! Let’s make it a night worth remembering!”
Guy continued to grasp his swords, keeping close to the crowd, close to the stage.
Cruel what you’re doing, Mr. Sins… And you didn’t tell me I’d be fighting the guy who ripped the Ocean Soul’s arm off. I’d better get a hell of a bonus for this.
OPEN THE GAME!
Location: The Alexander Dickinson Amphitheater, in the Entertainment District (specifically, a perfect replica of its crowd area). The area for the match here is 50 by 60 meters, with each tile being 5 by 5 meters. Agnes starts at the middle left and Guy starts in the middle right as represented by their respectively colored team tokens.
The stage is at the top as represented by the grey semi-circle. The audience members are represented by the red circles and the venue is sectioned off as a concert generally would be. Each seating section is represented by the blue, green, and yellow transparencies. These areas are roped off to keep them separate.
The dotted semi-circular line is a row of metal security fences to keep people from getting too close to the stage.
Goal: RETIRE your opponent!
Additional Information:
The audience members all have flat two physicals, and are mostly paying attention to the ongoing concert, eager and excited fans that they are. Metra Doria is performing onstage with a backing band, and it’s quite loud, yet somehow (the noise-altering effect of her Stand, maybe?) you aren’t debilitated by it. The audience members won’t deliberately cooperate with you in any meaningful way, and don’t particularly care about one another either, but will try to avoid getting hurt if they can see it coming.
Due to brazen threats on the guests by Tigran and the rest, none of Metra’s crew will interfere in the match, and are basically as good as non-entities mechanically, but it goes without saying that harming them or outright ruining the performance will lead to Fox canonically and successfully killing you with a giant rock. So don’t go on the stage itself.
Team | Combatant | JoJolity |
BADD GUYS | Ananas “Agnes” Bayley | “Faceless gazes passing by with me / The void in my heart changed with the path I chose” You find these ED guys absolutely loathsome, but the idea of completely stealing Metra’s thunder is nonetheless appealing to your villainous heart. Act as cool as possible in your own way! |
Suburban Regalia | Guy Manuel-Mota | “There's no limit to each new encounter - everything so ordinarily bizarre” These people want their shows to be impressive, right? Well, may as well get that check… Act as cool as possible in your own way! |
Link to the Official Player Spreadsheet
Link to Match Schedule
As always, if you would like to interact with the tournament community and be among the first to get updates for the tournament, please feel free to PM a member of our Judge staff for an invite to our Official Discord Server!
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JoJo's Bizarre OC Tournament #5 - Nix Ripa and Arthur Lifeson vs Cairo Satori
The results are in for Match 10. The winner is… Ananas “Agnes” Bayley, with a score of 72 to Guy Manuel-Mota’s 69! Category | Winner | Point Totals | Comments |
Popularity | BADD GUYS | 18-12 | |
Quality | Suburban Regalia | 22-23 | Reasoning |
JoJolity | Suburban Regalia | 22-24 | Reasoning |
Conduct | Tie | 10-10 | |
Amidst the sea of concrete snow that the stage had become, egged on by Agnes’ unusual encore request that Metra had agreed to, the killing intent of the self-styled villain and master mixologist had won out against the comparable brutality of the affable mercenary who had tried to take his life with just as much brutality.
The crowd, though annoyed by being utterly doused in carbonated everything, literally tossed around, literally watching their fellow partygoers exsanguinated and turned into meat puppets, did not allow it to ruin their fun, cheering on for Metra and her eclectic song choices. Agnes hopped off the makeshift surfboard he’d constructed, his opponent cut to pieces and speared and speared to hell, and it a testament to the sheer resilience of Guy-Manuel Mota that, even in such a gored, pulverized state, his opponent wondered if he was actually dead.
Regardless, he wasn’t getting back up, or reassembling, or pulling any more surprises or attempts to play possum. Realizing that it was over, Agnes was shaking. Breathing heavily. Hints of tears started to form in his eyes… but before he had a chance to cry, he arched back, laughing into a sea of concrete snow.
He’d won again.
“There you go, Metra, your show is saved or whatever,” he said with a mocking flippancy as she left the crowd to meet him backstage, “and I didn’t even kill any of these guys who paid to see you… They’ll just have to deal with sticky-wet clothes and some broken limbs.”
“Can’t believe this happened again… And I just had no choice but to keep singing and dancing.” Metra rubbed her hands on her arms, shaking her head. “I’m sick of this shit… I thought it was all almost over, but it’s just going to be forever in this city, huh?”
“Probably,” Agnes said, still half-laughing through a strained face, “just a constant, encroaching wave of ‘despair’ every waking moment… Way I see it, either you ride that shit as far as you can, or you let yourself drown. Doesn’t make a difference to me which you do.”
He glanced up at the ceiling then, cupping his hands.
“Hey, fuckers! I won now! I beat the guy you sent! Get on the biggering or I’ll burn your casino down again!” The game had, in fact, been won, and Agnes and Metra were the first to start to be free of its grasp, along with the spiked and bloodied separated bits of Guy, still pulsating ambiguously.
“He’s out for blood.” Tigran declared, warning the others Entertainment District highrollers observing, as he produced a deck of cards. “My Stand can’t hold him at that size much longer… But this whole place is about to be flooded with people, too. Duck into somewhere, and get away in the confusion.”
He spoke authoritatively, and even his sole superior, Fox, complied with his wishes after an urgent glance. “I… I’ll come for you! I promise I will!”
Tigran didn’t hear much more of that, then, beyond the sounds of Pork Soda’s Stand cry amplified by sonic boosts courtesy of Metra Doria. He fought impressively with little more than a deck of cards, but even then, could only buy his friends the seconds they needed to get away, live to gamble another day.
Tigran “Golden” Sins, User of ‘The Grid Retired! Face broken in nearly a dozen places by Agnes and TD/MD, the 48 year-old owner of Heartache Casino would be very quickly interned at Red Clay penitentiary, Metra insisting that her ally not kill him. As thousands of confused concertgoers suddenly grew to full size and began to flood the halls of the Alexander Dickinson Amphitheater, the rest of his accomplices were able to escape the authorities yet again. Despite his extremely infamous protectiveness towards his face, he almost seemed to wear the damage with pride, knowing that this time, it represented having allowed the only man he considered greater than himself to run free yet again. Red Clay Penitentiary - Industrial District
“Well, well, well, isn’t this a small world now? Tigran Sins, now in my care… Certainly less of a looker than I’d heard.” A dark-wavy-haired twenty-something sat snickering in the warden’s big swivel-chair, clad in a sleeveless velvet minidress, what of her flesh was exposed covered in flickering tattoos resembling closed eyes, flanked by uncanny-looking guards. “You don’t know me, but I’ve certainly heard of you… Of how you treated someone I hold dear very cruelly. Don’t you understand we’re all Stand Users trying to live our best life, Mr. Golden? I’m not the one who hurt you and threw you in here, and you’re not the one who said that I needed to be kept half-starved at all times so I couldn’t create anything.”
“Wh… Wait. Who the hell’re you?”
“Did my sweetheart never mention me, or do you just not pay attention to anyone but you and yours?” She leaned forward, bridging her fingers together. “I’m Palmer. I was a drama teacher at a small-town high school, but they kept overfunding football, one thing led to another, and now… I’ve got some serious vision.”
Tigran would be the last inmate admitted to Red Clay before a coup months in the making finally came to fruition.
Hey, yeah, Palmer! Remember that fun NPC? She was dating Mr. Jones and killed four people for him! Anyway, yeah, adjacent to him, an all-out meanspirited brawl in a sewer is taking place, feat. two chaotic clowns and two very frustrated young women.
What rotten luck this had been.
That leak, now of all days, when Being So Normal, Cairo Satori’s pet project that they had been slaving away at ever since setting foot in this series, had the deals with the devil that it had been built upon from the very beginning exposed for the world to see, and the city, which had loved every second of it before, had now been divided sharply between the loyal fans remaining and those protesting the entire thing, demanding the resignation of their producer, the cancellation of a show which had been picked up by so many streaming platforms, had already begun to make so much for the people who had made a livelihood of it all.
With the connection to Andrew Tiffany’s demise, even the oh-so-loyal Purple Flying Man resigned with only a short argument, and even the damage control removal of Caroline Jeffords, responsible for the worst of it, did little to contain the fact that Cairo knew about this, and Cairo allowed this to proceed nonetheless.
What, were they going to just throw it all away at the last minute? Ruin lives, tank companies, get how many people laid off? All over the failures of those close to them? Of course not.
“Cairo, dear,” the voice of that ever-troublesome producer, Million Dollars, muttered into a cell phone for them, “I’m going to need to go under the radar for awhile… People are beginning to look into my own affairs as well. But know that, as always, no matter what, you have my support. This show isn’t just a cash cow, Cairo… It’s an example. An example for the world to look to, and something for Stand Users to aspire to be better. I know you’re probably mad at us as well, but… You know that, don’t you?”
“Dollars… You’ve got a lot of nerve, trying to plead with me right now,” Cairo answered, tense in what had been their green room, sitting in the mall their producer had owned, “we definitely need to talk about our future… But we need to have one, too. Of course the show must go on… Nothing’s gonna jeopardize that!”
Free Viper Strip Mall, Suburban District
In recent times, the atmosphere at Free Viper was… somewhat dire. In fact, it had been on a rapid decline since that fateful day a couple months ago when Bert hijacked a ritual meant to challenge fate and did so, while murdering tens of thousands of people and injuring far more than that at the same time. Actually, Black Knight Penitentiary Album’s death and the realization that Remix was a serial killer came before that and weren’t very uplifting either, but what Bert did was somewhat hard to top.
Either way, the realization that he found one of the most morally bankrupt groups of people to team up with in Los Fortuna was one that Arthur Lifeson had reached not too long ago, and though it was somewhat of a painful thing to come to terms with, he had no choice but to do so and simply carry on. Bert had died, and the least Arthur could do from here on out would be to do his best to assist the city of Los Fortuna and bring justice to those who deserved it. The city certainly needed it, given all that was occurring right now.
For all the time Arthur spent in the city, he hadn’t gotten enough of note done yet… but that was soon to change. He had a plan in mind, one that would help keep the city and the world of stand users as a whole from devolving into further chaos. Before he could put it in place, however, he’d have to get some help.
Los Fortuna Shopping District, Sweet FA Mall - The Next Day
Nix Ripa had been in this city for months now, and in that time, all he had done was tear down walls, break buildings, break people who had dared to step all over the safety of others, of those too weak to bend fate to their whims.
It was despicable to him, and the icy Stand User was seething with hot rage. Those without the power to change the world themselves were pitiable, in their ways, yet at once, he knew they were not above help… That they needed to be driven higher, reach for the stars rather than wave to the heroes they saw in them!
When Arthur Lifeson discovered and contacted him, he did not hesitate to make his way to the megamall in which this was all set to culminate. Rather than in the comfortable solitude of the Black Hill Estate, where he could train without disruption, he’d even spent the night in an alley nearby, wanting to be able to spring out first thing in the morning!
When he did, then, as if on schedule, the older bearded man who had requested his help stood at the foot of Sweet FA, looking himself quite regal with that increasingly modified Medieval Times getup.
“Sir Ripa… It is an honor to meet in person, with yet another warrior of great acclaim.”
“Heh… I’ve seen you around,” Nix answered, stretching off the sleeping-on-a-dumpster aches and forcing out his hand, which Arthur, in turn, grabbed firmly, the pair locking fingers tightly and staring one another down intensely. “Did a damn fine number on those guys at this very mall awhile back… And it takes some guts to drive out into the Middle Finger for any reason! The mountains are where I do my most intense training of all!”
“Aye, I regrettably was fooled into following the glorious allure of Being So Normal… I lack even your good reason, of how you and your fallen brother-in-arms, Sir Rains, apprehended a true villain in the process of this fight, and even a black knight who would have put a past companion of mine to shame with her depravity.” He looked towards the space and shuddered. “The show, it refused to show the truth, but the wounds from that grueling battle, the burns… They were excruciating. That witch Jeffords, nothing she’s touched can be trusted as a truth to show the world.”
“So we’re in agreement then!” Nix said, finally letting the handshake go as Arthur’s hand began to grow numb, rolling his arms around and turning to face Sweet FA. “I looked into this place, their mission statement, their show, their producer… Set a good example my ass! They just want the whole damn world to think there’s nothing better than being a Stand User! That the ground we walk on should be kissed just for what we’ve got! Well… I’m no goddamn celebrity!”
“Heavy is the head that wears the crown,” Arthur agreed, “and this mockery… It will not do good for the world to learn of us this way. A knight’s honor is not something we seek for glory, for congratulation, but because there is no greater purpose than to slay evil, to protect those who cannot for themselves!”
“Heh… I like you. After this, we’re sparring ‘til one of us can’t move!”
Nix led the way in there, then, Arthur feeling pause for a moment at the sheer intensity of his companion. This was not of fear, however, or of a sudden feeling of inadequacy at someone so much younger, yet so much more driven than him.
Nay, he had been filled with more righteous determination than ever, and with a battle cry that led to a family with two kids in a stroller staring his way, he ran in after him!
…
…
As soon as they reached the main foyer of the mall, both of them realized, in tandem, and Nix spoke first, “…this place is huge as hell! Where do we even go to smash shit up?”
“I… That. That is a good point! Perhaps we should conduct a map kiosk, one which says ‘you are here!’ Ugh, those are always a pain to read…”
“I’ll help you.”
Both turned, then, to see a very fashionable teenager, clad in a purple aviator cap and goggles, slim and bearing a dour expression on his face. All who had hung around Cairo would recognize the Purple Flying Man from someplace or another, as well as all the extremely online and influencer-following of Los Fortuna.
“This show… They’ve done so much to capitalize on my uncle’s death. They’ve actively stopped the truth of whatever might have happened to him from being investigated with their frameup… And this conflict, I have lost two of my brothers to it all over again.”
He paused, then, and the two men seemed to trust him.
“You won’t be able to erase the show completely… It’s already had a limited run in this city. But masters, extra footage, content they were going to actually send out… There’s a storage space nearby… Most of the show’s data is backed up, of course, but that’s where everything is being saved. If your wish is to sabotage Being So Normal, to ruin its international release before it can cause any more harm to the outside world, that is where you go.”
“So you’ve had a change of heart yourself… I am thankful to hear that, Purple One…” Arthur snapped his fingers, then, as if remembering his name. “Right, now I remember! ‘Afton,’ wasn’t it?”
Purple’s face faulted. “Erm… N-no, eheh. It, uh… It wasn’t that. I haven’t been anything but ‘Purple’ for a very long time.”
“No matter what you’re called, an enemy of this show’s from within is just what we need to make this a little less of a pain in the ass!” Nix declared. “Lead the way!”
A Series of Backstage Halls Deep Within Sweet FA
Acrobatic and stealthy as he was, after leading the way in for those who had sought out this quest to begin with, Purple hurried along deeper inward, well aware that it was likely this place would not be unguarded, and meaning to scout ahead, maybe even fight a bit if he absolutely needed to.
He really, really did not want to, and so far, it wasn’t reassuring to him that nobody had interrupted them. No show staff, no Stand Users, not even some rent-a-cop had yet gotten into the way of this.
As he made his way to a security room, quietly bemoaning the fact that he would never live down infiltrating a security room with that damned nickname Bad Apples had given him, his worst fears were confirmed.
His friend, his confidante, Cairo Satori was sitting in a swivel chair, watching screens displaying the entire mall and idly leaning their head into a metal baseball bat.
“Purp…” They spoke up without even turning to face him. “Wasn’t expecting to see you again so soon! I mean, with everywhere you’ve blocked me, privated your accounts… I was under the impression you needed some time away from the show.”
Purple hopped down, then, walking closer towards the chair, clearing his throat and pondering his words clearly.
“The show needs time away from the show, Cairo… You know damn well why I brought myself back. Come on. You know this isn’t right… It doesn’t have to be this, and even just delaying could save-”
“Delay, huh?” They stood, twirling that bat they’d always carried around. It didn’t worry Purple. He’d never seen them actually using it. “C’mon… You know it’s not that simple, buddy. I’m just trying to make sure everyone has a good time… Already, I’m cutting toxic people out of the show! Even when they’ll make it harder to make anything going forward, Caroline is gone! I’ll keep that producer on a really short leash! I am doing everything in my power to make sure that this goes well… C’mon, can’t you look on the bright side?”
“You… You already know my answer to that. You’ve betrayed my trust, Cairo. The trust of my uncle, of everyone you’ve worked with… Of this whole city!” He shifted in place, then, becoming a much more avian humanoid figure with its pose. “I am its lavender courage, and I am your friend! And as both, I cannot abide by-”
Cairo swang their bat, and as they did, the arms of a Stand emerged from their own hand and struck it as well, multiple times in quick succession.
By the time the bat impacted Purple, it was with enough force for the deeply resilient eternally-young ghost to be sent hurtling towards a wall, literally impacting it hard enough to leave an impression in its form, embedded and unconscious in a single swing. He was alive, and would walk this off, but he wouldn’t be getting back up today.
“Sorry ‘bout that,” they said, standing with the bat over their shoulder, ‘Peach Pit’ manifesting more fully by their side (drawn by the artist Boy George, as usual), “but I can tell we don’t have time to chat… I’ll send you a gift basket from the launch party, yeah?”
Then, their attention turned towards the others on the security room screens, addressing their Stand in the meantime, “uh, hey, Peach…”
“I’m on it,” the Stand answered, “Arthur Lifeson and Nix Ripa… I’m excited for this, honestly.”
“And you don’t need to know that I am to, honestly…” Cairo moved to press the intercom button.
“I heard violence!” Nix called out, balling his fists. “Purple found someone!” He began to rush forward, then, Arthur preparing to make a blade, only to be stopped by the crackling of an intercom button.
“Hello again! Wow, it really isn’t all that often that Being So Normal has repeat appearances, but that’s, what, twice in this promotional cycle alone?” Cairo’s voice rang through, then, and they continued, “I figured we’d see some trouble here, so I gave most of staff the day off… I knew it’d be types like you two who showed up, and honestly, I gotta say, despite the circumstances, I’m a bit psyched!”
“Cairo Satori!” Arthur spoke up then, waving his hands. “Put this madness to a close, before I have to put you to my blade! You need not fall victim to this any longer… To fight us is a waste of time!”
“Well, I’ve got time to kill, and nobody to talk to, now that my friend’s taking a bit of a nap. And besides, you think I’m gonna just let you destroy everything we’ve been working to build up because you don’t like a couple of the crew members? C’mon, have a reality check here! No way I’m gonna allow that… Especially not right now! Look, why not come talk to me after I’ve completely closed this Netflix deal?”
There was silence, then, and then they spoke up again.
“Oh, who am I kidding? We both know that this is only gonna end one way! If you wanna stop me from sending this show out for the whole world to know and love, and not just be another little piece of Los Fortuna’s super storied, super amazing history, then STOP me! I’m already sending Peach your way, and there’s no way the two of us will just get walked all over!”
Arthur shut his eyes in frustration, but Nix shook his shoulder. “We knew from the start it’d come to this. C’mon… Any more talking this through will be a waste of all our breaths.”
“Yeah! This pre-battle stuff goes on way too long, I swear! So much to cut down in post without missing the meat of it… But enough talking shop, yeah? Let’s get to what we’re here for… You wanna say it with me? …no? Okay, suit yourself!”
“OPEN THE GAME!”
Location:
A hallway to several storage rooms in Sweet FA Mall. The area here is 40 by 80 meters with each tile being 2.5 by 2.5 meters. The white tiles are completely out of bounds for this match. The light magenta tiles are the main hallway, the purple tiles are side hallways, and the red tiles are the rooms. Each room has a number associated with it for convenience, as shown by the purple numbers. The ceiling is 8 meters tall. The doorways are denoted by the dotted lines between the rooms and hallways.
The players start at the left end of the hallway and Cairo starts in the security room (room 5) to the right of the bottom center. Cairo’s Stand starts in the middle of the main hallway.
The grey X marked circles are security cameras on the ceiling that connect to the monitors that are represented by the yellow notched rectangles in room 5. The light blue rectangles in the main hallway are 4 meter tall metal shelves that house stage set up equipment such as stepladders, light fixtures, microphones, extension cables, construction tools, and anything else needed to set up or tear down a stage. All shelves are bolted to the ground.
The yellow stars are disks, tapes, harddrives and other recordings of the footage shot by Cairo’s show.
The walls are drywall while the floor is ceramic tiled.
Now onto the different rooms:
- Room 1: Contains racks and cardboard bins of merchandise. The brown rectangles are cardboard bins of plushies and hats. The red circles are racks of clothing merchandise.
- Room 2: Contains a mountain of chairs and other furniture within a 5 meter tall metal storage fence as represented by the light blue rectangle and the junk inside it. Each side of the fence has a chain locked door.
- Room 3: Contains various cooking appliances and peripherals. The white rectangles are 4 meter tall metal storage shelves and the magenta rectangles are 5 meter tall metal storage containers. Basically any appliance that doesn’t fit on a shelf is put into one of the three containers.
- Room 4: Contains two long tables as represented by the grey L-shaped rectangles. On these tables are neatly laid out items that were used in Round 2 Match 4, this means Riot Shields, Fireworks Cannons, Magnetic Ray Guns, Grappling Hook Guns, smoke bombs, Tar filled paintball guns, mannequins, body armor, skateboards, net launchers, fire extinguishers, step ladders, marbles, bowling balls, trampolines, shovels, steel chairs, and blankets. Only the crystal ball is missing. The blue circle is a barrel of fencing foils and the yellow rectangle is a banged up motorcycle that while not completely totaled is in pretty bad shape.
- Room 5: The security room. It is rather bare, only housing the monitors set-ups to the security cameras and three swivel chairs to go with them.
Goal: RETIRE your opponents!
Additional Information:
As a reminder, White Tile areas are out-of-bounds for this match. If you willingly traverse through them you will be retired by a pair of mall cops.
Here is a shortened version of Cairo’s character sheet with all relevant information, the full sheet is linked below
Name: Cairo Satori
Age: 21
Gender: None, whose business is that anyways?
Species: Human
Occupation: Beloved Media Icon
Equipment: The newest smartphone, two sets of wireless earbuds for communicating directly with [Peach Pit] quietly, a bag of weed mints, and a baseball bat.
User Stats:
Strength: 3 (Too much effort to get properly strong- Cairo can throw as much effort into a hit as they need to in order to finish someone off after being brought to near-retirement by [Peach Pit], and that’s about the maximum they need.)
Agility: 2 (Never had to run after or from anything.)
Endurance: 2 (Not one to hold up under sustained pressure for very long, hoping to duck back from any conflicts except where absolutely necessary.)
Conduction: 2 (Able to personally carry their Stand’s damaging energy through them, and has a general knowledge of how to apply it.)
Vibing: 3 (It's for vibe checks- the necessity of finishing an opponent off personally, in a fast and hard strike. The full force of their strength, loaded into one moment rather than a series of fests. Also, they do have good vibes.)
Stand Name: [Peach Pit]
Stand Appearance: On the bulkier side of stand builds, Peach Pit has some resemblance to a knight in plate armor- big, dark metallic pauldrons, a chestplate, an assortment of straps and buckles, etc. The surface of the stand looks very much like a sunset with its colors flipped around. Its face is smooth except for a simple minimalist icon of the sun, and the rest of the head is mostly covered by a knight's helmet as well. A gradient of sorts goes from the head of the stand down to its armored feet, starting with an orange-red and ending in black with white specks like stars in the night sky.
About/Oddities: The stand is dangerous, outright. The manifestation of an incredible will for a very specific life gave it incredibly high offensive might, and although Cairo has depleted its very low ‘potential,’ nothing else has decreased in the slightest.
Additionally, [Peach Pit] is sentient, and thinks of itself as a close friend and bodyguard to Cairo. Despite being able to dish out high damage, it is very much a friendly, calm and collected individual, having respect even for those it has to fight. As such, [Peach Pit] leaves RETIRING opponents up to its user completely. An enemy can be beaten down, but will still be able to pull together and carry on albeit impeded until Cairo personally finishes them off. This isn't simply a choice- if instructed to keep pressure on an opponent who's down but not out, its strikes can indefinitely inflict serious pain and yet never be quite enough to injure a foe to the point where they're considered RETIRED.
Due to the bold weakness in this, for how combat inefficient and easily hurt its user is, Peach doesn't have full damage transference. Instead, it can be destroyed repeatedly- Cairo takes one instance of C power damage upon its destruction, and it can be resummoned from Cairo's position after ten seconds.
Peach's presenting identity has been influenced by Cairo's insistence against defining things that way, to the point of being comfortably seen subjectively as anything. Peach will respond to any pronouns without questioning it.
Stand Stats:
Power: A(The stand can exert a great amount of power in its attacks)
Speed: A (Its movements are very fast and its attacks can travel just as quickly)
Range: B (50 meters)
Durability: E (Subpar durability, however when destroyed the user takes C power damage and the stand can be summoned back to Cairo’s side after 10 seconds.)
Precision: C (Generally decent in its movements, but its projectile attacks only move in a straight line once fired and can only be stored within conductive materials. In non-conductive materials it would keep traveling)
Ability: Peach Pit lacks a complex ability, as far as one would expect. Rather than intricate effects, its hits themselves can simply be conducted through material similarly the way that electricity does, with distinct variation based on the conductivity of the material. Within conductive material, damage is stored up much like a battery - the moment someone touches the "battery", the damage transfers directly to it on the point of contact. This means that if Peach were to punch a metal rod and someone were to touch it, they would feel the full brunt of Peach's attack the moment they do so. A battery remains charged for up to fifteen seconds, and at any point if it hasn’t been touched and discharged already, Cairo can pick any direction from where the battery is in contact with non-conductive materials to activate the next type of attack.
Within non-conductive material, either deployed through battery or direct strike, damage "travels", moving forwards in a straight line at A speed in the same direction it came from. This wave of damage can be seen as it travels, with slight shimmers of light and a crackling sound emanating from where it's currently positioned.
Damage cannot travel further than B range from Cairo.
Team | Combatant | JoJolity |
Black Hill Regalia | Arthur Lifeson and Nix Ripa | “The thing in Hayato's hand was definitely a handy cam. It doesn't seem to be in this room right now...” This show is a sweet-sounding idea, but it’s so corrupt to its core that you can’t allow it to spread any further than it has. Destroy as many physical backings of the recordings Cairo has made for their show as you can over the course of your strat! |
Being So Normal | Cairo Satori | “I even took a video of the cat-like plant you've got in the attic!” This show… You know it’s been an unsavory road, one you wish you could have managed differently, but the good it can do, the way the world might finally begin to understand the ugly and wonderful truths of Stand Users and appreciate them more as a part of their lives… You will celebrate that. Take creative inspiration from actions that took place in matches related officially to ‘Being So Normal!’ That is to say, these 5 matches, R1M5,R1M23,R1M29,R2M4, and R3M8! |
Link to the Official Player Spreadsheet
Link to Match Schedule
As always, if you would like to interact with the tournament community and be among the first to get updates for the tournament, please feel free to PM a member of our Judge staff for an invite to our Official Discord Server!
submitted by boredCommentator to StardustCrusaders [link] [comments]
Which Director had the best run in the 40s?
Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room, and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Dorothy Arzner: Dance, Girl, Dance and First Comes Courage.
George Sidney: Pilot No. 5, Holiday in Mexico, Ziegfeld Follies, Thousands Cheer, Anchors Aweigh, The Harvey Girls, Bathing Beauty, The Three Musketeers, Cass Timberlane, and The Red Danube.
Howard Hawks, John Ford, and Orson Welles are my Top Three.
submitted by Britneyfan456 to flicks [link] [comments]
Which Director had the best run in the 40s?
Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room,and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Dorothy Arzner: Dance, Girl, Dance and First Comes Courage.
George Sidney: Pilot No. 5, Holiday in Mexico, Ziegfeld Follies, Thousands Cheer, Anchors Aweigh, The Harvey Girls, Bathing Beauty, The Three Musketeers, Cass Timberlane, and The Red Danube.
submitted by Britneyfan456 to movies [link] [comments]
Which Male Actor had the best run in the 60s?
It could be the best in terms of anything
Paul Newman: The Hustler, Cool Hand Luke, Exodus, From the Terrace, Paris Blues, Hud, Hemingway's Adventures of a Young Man, Sweet Bird of Youth, Harper, Lady L, Hombre, Torn Curtain, Winning, Butch Cassidy and the Sundance Kid, The Secret War of Harry Frigg, The Prize, What a Way to Go!, The Outrage, and A New Kind of Love.
Gregory Peck: To Kill a Mockingbird, Mackenna's Gold, The Chairman, Cape Fear, Captain Newman, M.D., How the West Was Won, Behold a Pale Horse, Marooned, Mirage, Arabesque, The Stalking Moon, and The Guns of Navarone.
Steve McQueen: The Sand Pebbles, The Great Escape, Love with the Proper Stranger, The Magnificent Seven, The Thomas Crown Affair, The Cincinnati Kid, Bullitt, The Honeymoon Machine, The Honeymoon Machine, The War Lover, Soldier in the Rain, Nevada Smith, Baby the Rain Must Fall, and The Reivers.
Dustin Hoffman: The Graduate, Midnight Cowboy, The Tiger Makes Out, Madigan's Millions, and John and Mary.
Peter O Toole: Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips, Kidnapped, The Day They Robbed the Bank of England, The Savage Innocents, What's New Pussycat?, The Sandpiper, Lord Jim, How to Steal a Million, The Bible: In the Beginning..., Casino Royale, The Night of the Generals, and Great Catherine.
Henry Fonda: How the West Was Won, Firecreek, Once Upon a Time in the West, Madigan, The Boston Strangler, Fail Safe, Sex and the Single Girl, The Longest Day, Advise & Consent, Spencer's Mountain, The Dirty Game, In Harm's Way, A Big Hand for the Little Lady, Welcome to Hard Times, The Best Man, The Rounders, Battle of the Bulge, and Yours, Mine and Ours.
Toshiro Mifune: Shinsengumi, The Battle of the Japan Sea, Red Lion, Safari 5000, Hell in the Pacific, Samurai Banners, The Day the Sun Rose, Admiral Yamamoto, Japan's Longest Day, The Sands of Kurobe, Samurai Rebellion, Grand Prix, The Mad Atlantic, The Adventure of Kigan Castle, Rise Against the Sword, The Sword of Doom, Fort Graveyard, The Retreat from Kiska, Sanshiro Sugata, Samurai Assassin, Red Beard, Legacy of the 500,000, The Lost World of Sinbad, Whirlwind, Chūshingura: Hana no Maki, Yuki no Maki, Attack Squadron!, High and Low, Yojimbo, The Youth and his Amulet, Sanjuro, Tatsu, Three Gentlemen Return from Hong Kong, Salaryman Chushingura Part 1 & 2, The Story of Osaka Castle, The Youth and his Amulet, Ánimas Trujano, The Last Gunfight, The Gambling Samurai, The Bad Sleep Well, Man Against Man, and Storm Over the Pacific.
Montgomery Clift: Judgment at Nuremberg, The Misfits, Freud: The Secret Passion, The Defector, and Wild River.
Burt Lancaster: Judgment at Nuremberg, Birdman of Alcatraz, Elmer Gantry, Seven Days in May, The Leopard, The Professionals, The Unforgiven, The Young Savages, The List of Adrian Messenger, A Child Is Waiting, The Hallelujah Trail, The Train, The Swimmer, The Scalphunters, Castle Keep, and The Gypsy Moths.
Marlon Brando: Mutiny on the Bounty, The Fugitive Kind, One-Eyed Jacks, Morituri, The Chase, Bedtime Story, The Ugly American, Reflections in a Golden Eye, Candy, The Appaloosa, The Night of the Following Day, Burn!, and A Countess from Hong Kong.
Tony Curtis: Captain Newman, M.D., The Boston Strangler, Sex and the Single Girl, Spartacus, Pepe, The Rat Race, The Great Impostor, The List of Adrian Messenger, 40 Pounds of Trouble, Paris When It Sizzles, The Outsider, Taras Bulba, Goodbye Charlie, Not with My Wife, You Don't!, The Great Race, Wild and Wonderful, Boeing Boeing, Chamber of Horrors, On My Way to the Crusades, I Met a Girl Who..., Rosemary's Baby, Drop Dead Darling, Don't Make Waves, Monte Carlo or Bust!, and Who Was That Lady?.
Robert Redford: The Chase, Tall Story, Situation Hopeless... But Not Serious, War hunt, Inside Daisy Clover, Butch Cassidy and the Sundance Kid, Barefoot in the Park, This Property Is Condemned, Tell Them Willie Boy Is Here, and Downhill Racer.
Anthony Perkins: Tall Story, Psycho, The Trial, Phaedra, Pretty Poison, Five Miles to Midnight, Goodbye Again, The Fool Killer, Une ravissante idiote, Le glaive et la balance, The Champagne Murders, and Is Paris Burning?.
John Huston: Candy, The List of Adrian Messenger, The Cardinal, Casino Royale, and The Bible: In the Beginning
John Wayne: How the West Was Won, The Sons of Katie Elder, The Longest Day, True Grit, El Dorado, Cast a Giant Shadow, The War Wagon, The Green Berets, The Man Who Shot Liberty Valance, Hatari!, North to Alaska, The Alamo, The Comancheros, The Greatest Story Ever Told, Circus World, Hellfighters, and The Undefeated.
Jack Lemmon: The Great Race,Pepe, The Apartment, The Wackiest Ship in the Army, The Notorious Landlad, Days of Wine and Roses, Under the Yum Yum Tree, Irma la Douce, How to Murder Your Wife, Good Neighbor Sam, Luv, The Fortune Cookie, The Odd Couple, and The April Fools.
Marcello Mastroianni: 8 1/2, La Dolce Vita, La Notte, Yesterday, Today and Tomorrow, Divorce Italian Style, Marriage Italian Style, The 10th Victim, Adua and Her Friends, Il bell'Antonio, Ghosts of Rome, La Notte, Family Diary, Family Diary, The Organizer, Kiss the Other Sheik, Me, Me, Me... and the Others, Casanova 70, Shoot Loud, Louder... I Don't Understand, The Poppy Is Also a Flower, Ghosts – Italian Style, Amanti, Break Up, The Stranger, and Diamonds for Breakfast.
James Stewart: How the West Was Won, Firecreek, The Flight of the Phoenix, The Man Who Shot Liberty Valance, Cheyenne Autumn, The Mountain Road, Two Rode Together, Mr. Hobbs Takes a Vacation, Take Her, She's Mine, Shenandoah, Dear Brigitte, Bandolero!, and The Rare Breed.
Robert Mitchum: What a Way to Go!, Cape Fear, The Longest Day, El Dorado, Home from the Hill, The Sundowners, A Terrible Beauty, Two for the Seesaw, The Last Time I Saw Archie, The Grass Is Greener, The Way West, Mister Moses, Rampage, Man in the Middle, Anzio, 5 Card Stud, Villa Rides, The Good Guys and the Bad Guys, Secret Ceremony, and Young Billy Young.
Robert Duvall: Captain Newman, M.D., True Grit, To Kill a Mockingbird, Bullitt, The Chase, Nightmare in the Sun, Countdown, and The Detective.
Jean-Paul Belmondo: Breathless, That Man from Rio, Seven Days... Seven Nights, Trapped by Fear, Classe Tous Risques, The Lovemakers, Two Women, Lettere di una novizia, Love and the Frenchwoman, Le Doulos, Famous Love Affairs, Cartouche, A Man Named Rocca, Mare matto, The Winner, Sweet and Sour, Banana Peel, A Monkey in Winter, Backfire, Greed in the Sun, Weekend at Dunkirk, The Shortest Day, Magnet of Doom, Tender Scoundrel, Is Paris Burning?, Casino Royale, Male Hunt, Crime on a Summer Morning, Pierrot le Fou, Up to His Ears, Ho!, The Brain, Mississippi Mermaid, and Love Is a Funny Thing.
Kirk Douglas: Seven Days in May, The List of Adrian Messenger, Spartacus, Is Paris Burning?, The War Wagon, The Way West, Lonely Are the Brave, The Heroes of Telemark, Town Without Pity, The Last Sunset, For Love or Money, The Hook, The Arrangement, The Legend of Silent Night, The Brotherhood, A Lovely Way to Die, and Cast a Giant Shadow.
Charles Bronson: The Magnificent Seven, The Great Escape, Battle of the Bulge, Villa Rides, Guns of Diablo, X-15, The Bull of the West, 4 for Texas, Lola, Once Upon a Time in the West, Guns for San Sebastian, The Dirty Dozen, A Thunder of Drums, Kid Galahad, Master of the World, The Sandpiper, This Property Is Condemned, The Meanest Men in the West, and Adieu l'ami.
Orson Welles: Casino Royale, Is Paris Burning?, The Trial, Kampf um Rom, The Thirteen Chairs, The Merchant of Venice, Battle of Neretva, Tepepa, The Southern Star, I'll Never Forget What's'isname, A Man for All Seasons, David and Goliath, La Fayette, Austerlitz, Crack in the Mirror, The Tartars, The V.I.P.s, Chimes at Midnight, In the Land of Don Quixote, Marco the Magnificent, House of Cards, The Immortal Story, and Oedipus the King.
William Holden: Paris When It Sizzles, The Wild Bunch, The World of Suzie Wong, The Lion, Satan Never Sleeps, The Counterfeit Traitor, Casino Royale, The Devil's Brigade, The 7th Dawn, Alvarez Kelly, and The Christmas Tree.
Frank Sinatra: Cast a Giant Shadow, The Detective, 4 for Texas, The Manchurian Candidate, Tony Rome, Pepe, The Devil at 4 O'Clock, The Road to Hong Kong, Sergeants 3, Come Blow Your Horn, None but the Brave, Paris When It Sizzles, Lady in Cement, The Oscar, Assault on a Queen, The Naked Runner, Von Ryan's Express, Marriage on the Rocks, and Robin and the 7 Hoods.
Elvis Presley: G.I. Blues, Kid Galahad, Wild in the Country, Follow That Dream, Blue Hawaii, It Happened at the World's Fair, Girls! Girls! Girls!, Fun in Acapulco, Roustabout, Viva Las Vegas, Kissin' Cousins, Frankie and Johnny, Girl Happy, Harum Scarum, Tickle Me, Clambake, Easy Come, Easy Go, Double Trouble, Stay Away, Joe, Live a Little, Love a Little, Speedway, Change of Habit, The Trouble with Girls, Charro!, Spinout, and Paradise, Hawaiian Style.
Edmond O'Brien: The Wild Bunch, The Longest Day, The Man Who Shot Liberty Valance, Fantastic Voyage, The Great Impostor, The Last Voyage, The 3rd Voice, Birdman of Alcatraz, Man-Trap, Moon Pilot, Sylvia, Rio Conchos, The Hanged Man, The Outsider, Synanon, The Doomsday Flight, The Love God?, Flesh and Blood, The Viscount, and To Commit a Murder.
Ben Johnson: The Wild Bunch, The Rare Breed, The Undefeated, Hang 'Em High, Cheyenne Autumn, Will Penny, One-Eyed Jacks, Ten Who Dared, Tomboy and the Champ, and Major Dundee.
Warren Oates: The Wild Bunch, The Rise and Fall of Legs Diamond, The Rounders, Ride the High Country, Private Property, Mail Order Bride, Hero's Island, In the Heat of the Night, Welcome to Hard Times, The Shooting, Return of the Seven, Smith!, Crooks and Coronets, The Split, Something for a Lonely Man, and Lanton Mills.
Sidney Poitier: In the Heat of the Night, Lilies of the Field, A Patch of Blue, To Sir, With Love, A Raisin in the Sun, Guess Who's Coming to Dinner, Paris Blues, The Long Ships, Pressure Point,All the Young Men, The Bedford Incident, The Greatest Story Ever Told, The Slender Thread, Duel at Diablo, For Love of Ivy, and The Lost Man.
Rod Steiger: The Longest Day, In the Heat of the Night, The Pawn broker, Doctor Zhivago, No Way to Treat a Lady, Three into Two Won't Go, Seven Thieves, The Mark, 13 West Street, World in My Pocket, Convicts 4, Time of Indifference, Hands over the City, A Man Named John, The Loved One, The Girl and the General, The Sergeant, and The Illustrated Man.
Ernest Borgnine: The Dirty Dozen, The Wild Bunch, The Legend of Lylah Clare, Pay or Die, The Last Judgment, Barabbas, The Italian Brigands, McHale's Navy, The Flight of the Phoenix, The Oscar, The Split, A Bullet for Sandoval, Ice Station Zebra, Chuka, Go Naked in the World, Black City, and Man on a String.
George Kennedy: The Boston Strangler, Charade, Strait-Jacket, McHale's Navy, The Sons of Katie Elder, The Dirty Dozen, Shenandoah, The Flight of the Phoenix, Guns of the Magnificent Seven, The Good Guys and the Bad Guys, Cool Hand Luke, The Little Shepherd of Kingdom Come, The Man from the Diners' Club, The Silent Witness, McHale's Navy, Mirage, Hush...Hush, Sweet Charlotte, Island of the Blue Dolphins, In Harm's Way, Hurry Sundown, Bandolero!, The Ballad of Josie, Gaily, Gaily, and The Pink Jungle.
Strother Martin: McLintock!, The Man Who Shot Liberty Valance, Cool Hand Luke, Hurry Sundown, Sanctuary, Shenandoah, Harper, Nevada Smith, The Sons of Katie Elder, The Wild Bunch, Butch Cassidy and the Sundance Kid, True Grit, An Eye for an Eye, The Flim-Flam Man, Showdown, Invitation to a Gunfighter, and The Deadly Companions.
Clint Eastwood: The Dollars Trilogy, Hang 'Em High, Where Eagles Dare, The Witches, Coogan's Bluff, and Paint Your Wagon.
Eli Wallach: How the West Was Won, The Magnificent Seven, The Misfits, The Tiger Makes Out, Lord Jim, How to Steal a Million, A Lovely Way to Die, Seven Thieves, The Good, the Bad and the Ugly, Genghis Khan, The Poppy Is Also a Flower, How to Save a Marriage and Ruin Your Life, Ace High, Hemingway's Adventures of a Young Man, The Brain, Mackenna's Gold, Kisses for My President, Act One, The Moon-Spinners, and The Victors.
Lee Van Cleef: The Man Who Shot Liberty Valance, For a Few Dollars More, The Good, the Bad and the Ugly, Posse from Hell, The Big Gundown, Sabata, Death Rides a Horse, Commandos, Day of Anger, and Beyond the Law.
Richard Burton: The Sandpiper, Where Eagles Dare, Ice Palace, The Longest Day, The Bramble Bush, Zulu, Becket, Cleopatra, What's New Pussycat?, The Night of the Iguana, The Spy Who Came In from the Cold, Who's Afraid of Virginia Woolf?, The Taming of the Shrew, Candy, Boom!, The Comedians in Africa, The Comedians, Doctor Faustus, Staircase, and Anne of the Thousand Days.
Paul Scofield: A Man for all Seasons, The Train, and Tell Me Lies.
Warren Beatty: All Fall Down, Splendor in the Grass, Bonnie and Clyde, Lilith, The Roman Spring of Mrs. Stone, Mickey One, Promise Her Anything, and Kaleidoscope.
Albert Finney: Tom Jones, The Entertainer, Saturday Night and Sunday Morning, Two for the Road, The Victors, Night Must Fall, Charlie Bubbles, and The Picasso Summer.
Lee Marvin: Hell in the Pacific, The Professionals, The Man Who Shot Liberty Valance, The Comancheros, Paint Your Wagon, Point Blank, The Killers, Donovan's Reef, Cat Ballou, Ship of Fools, Sergeant Ryker, Hell in the Pacific, The Dirty Dozen, and Point Blank.
Anthony Quinn: Behold a Pale Horse, Barabbas, Zorba the Greek, Lawrence of Arabia, Guns for San Sebastian, The Rover, San Sebastian 1746 in 1968, The Secret of Santa Vittoria, A Dream of Kings, The 25th Hour, The Happening, Lost Command, Marco the Magnificent, The Visit, A High Wind in Jamaica, Heller in Pink Tights, The Savage Innocents, Portrait in Black, The Guns of Navarone, The Magus, and The Shoes of the Fisherman.
Michael Caine: Hurry Sundown, The Magus, Zulu, The Ipcress File, Alfie, The Italian Job, Deadfall, Funeral in Berlin, Billion Dollar Brain, Battle of Britain, Gambit, The Wrong Box, Woman Times Seven, Play Dirty, Foxhole in Cairo, Solo for Sparrow, The Wrong Arm of the Law, The Bulldog Breed, and The Day the Earth Caught Fire.
Rex Harrison: Cleopatra, My Fair Lady, Doctor Dolittle, The Happy Thieves, Midnight Lace, The Agony and the Ecstasy, The Yellow Rolls-Royce, Staircase, The Honey Pot, and A Flea in Her Ear.
Sean Connery: The Longest Day, Dr. No, Marnie, Goldfinger, From Russia with Love, Macbeth, The Frightened City, On the Fiddle, Anna Karenina, Shalako, The Red Tent, You Only Live Twice, Un monde nouveau, The Hill, A Fine Madness, Thunderball, Woman of Straw, and The Bowler and the Bunnet.
Spencer Tracy: Judgment at Nuremberg, Guess Who's Coming to Dinner, Inherit the Wind, The Devil at 4 O'Clock, and It's a Mad, Mad, Mad, Mad World.
Chishû Ryû: Late Autumn, Otoko wa Tsurai yo, The Human Bullet, Japan's Longest Day, The End of Summer, An Autumn Afternoon, The Human Condition 3, and The Last War.
Martin Balsam: Psycho, A Thousand Clowns, Trilogy, The Good Guys and the Bad Guys, Around the World of Mike Todd, Me, Natalie, Around the World of Mike Todd, Hombre, Among the Paths to Eden, After the Fox, Harlow, The Bedford Incident, Seven Days in May, Suspense, Youngblood Hawke, Everybody Go Home, Breakfast at Tiffany's, Ada, Cape Fear, Route 66, and Who's Been Sleeping in My Bed?.
Alan Bates: Zorba the Greek, Georgy Girl, Far from the Madding Crowd, Women in Love, King of Hearts, The Fixer, The Entertainer, Zorba the Greek, Nothing but the Best, Whistle Down the Wind, A Kind of Loving, The Caretaker, and The Running Man.
Alain Delon: Is Paris Burning?, Famous Love Affairs, Rocco and His Brothers, Purple Noon, The Leopard, Le Samouraï, The Yellow Rolls-Royce, Lost Command, L'Eclisse, The Joy of Living, The Devil and the Ten Commandments, Love at Sea, Carom Shots, Any Number Can Win, Joy House, The Unvanquished, Once a Thief, Texas Across the River, Adieu l'ami, Jeff, The Sicilian Clan, La Piscine, Spirits of the Dead, The Girl on a Motorcycle, The Last Adventure, and Diabolically Yours.
Peter Sellers: What's New Pussycat?, Casino Royale, Woman Times Seven, Dr. Strangelove, Lolita, The Millionairess, Never Let Go, Two-Way Stretch, The Wrong Arm of the Law, The Dock Brief, The Pink Panther, Only Two Can Play, Mr. Topaze, Waltz of the Toreadors, Heavens Above!, A Shot in the Dark, The World of Henry Orient, A Carol for Another Christmas, Casino Royale, Woman Times Seven, The bobo, The Party, The Magic Christian, and I Love You, Alice B. Toklas.
George C. Scott: The List of Adrian Messenger, The Hustler, Not with My Wife, You Don't!, The Flim-Flam Man, Dr. Strangelove, The Power and the Glory, The Crucible, The Yellow Rolls-Royce, The Bible: In the Beginning..., This Savage Land, and Petulia.
Walter Matthau: Charade, Fail Safe, The Fortune Cookie, The Odd Couple, Strangers When We Meet, Lonely Are the Brave, Mirage, Ensign Pulver, Island of Love, Who's Got the Action?, Candy, Cactus Flower, Hello, Dolly!, The Secret Life of an American Wife, and A Guide for the Married Man.
Jean-Louis Trintignant: Z, A Man and a Woman, The Great Silence, Austerlitz, Horace 62, Un homme à abattre, La Longue marche, Trans-Europ-Express, Le Combat dans l'île, So Sweet... So Perverse, L'Américain, Mata Hari, Agent H21, Journey Beneath the Desert, Il Sorpasso, Col cuore in gola, Death Laid an Egg, Les Biches, My Love, My Love, The Man Who Lies, Metti, una sera a cena, My Night at Maud's, The Libertine, The Sleeping Car Murders, Diamond Safari, Spotlight on a Murderer, Nutty, and Naughty Chateau.
Max von Sydow: The Greatest Story Ever Told, Shame, Hour of the Wolf, The Virgin Spring, Through a Glass Darkly, Bröllopsdagen, 4x4, Winter Light, Hawaii, Adventures of Nils Holgersson, The Mistress, Made in Sweden, The Passion of Anna, The Quiller Memorandum, Svarta palmkronor, The Reward, and Here Is Your Life.
Richard Attenborough: The Sand Pebbles, The Great Escape, Doctor Dolittle, The Angry Silence, Upgreen – And at 'Em, The Dock Brief, Only Two Can Play, The League of Gentlemen, All Night Long, Séance on a Wet Afternoon, The Third Secret, The Flight of the Phoenix, Only When I Larf, Guns at Batasi, The Magic Christian, Oh! What a Lovely War, and The Bliss of Mrs. Blossom.
Melvyn Douglas: Hud, Hotel, The Crucible, Companions in Nightmare, Rapture, Inherit the Wind, Lamp At Midnight, Advance to the Rear, A Very Close Family, The Americanization of Emily, and Billy Budd.
Woody Strode: Spartacus, The Man Who Shot Liberty Valance, Sergeant Rutledge, The Last Voyage, Two Rode Together, The Sins of Rachel Cade, Che!, Once Upon a Time in the West, Boot Hill, Genghis Khan, Shalako, Black Jesus, The Professionals, Tarzan's Three Challenges, and 7 Women.
Yûsuke Kawazu: The River Fuefuki, Ken, Manji, Kiri no Hata, Cruel Story of Youth, Genocide, Fighting Elegy, and Black Lizard.
John Cassavetes: The Dirty Dozen, Rosemary's Baby, A Child Is Waiting, The Killers, Devil's Angels, Roma come Chicago, If It's Tuesday, This Must Be Belgium, Machine Gun McCain, and The Webster Boy.
Laurence Harvey: The Outrage, Kampf um Rom, The Manchurian Candidate, The Ceremony, The Alamo, The Long and the Short and the Tall, BUtterfield 8, Walk on the Wild Side, The Wonderful World of the Brothers Grimm, The Running Man, A Girl Named Tamiko, Darling, Of Human Bondage, Summer and Smoke, Two Loves, The Doctor and the Devil, Rebus, The Spy with a Cold Nose, The Magic Christian, L'assoluto naturale, The Charge of the Light Brigade, A Dandy in Aspic, Life at the Top, The Outrage, and The Winter's Tale.
Omar Sharif: Mackenna's Gold, Behold a Pale Horse, Lawrence of Arabia, Doctor Zhivago, The Poppy Is Also a Flower, The Fall of the Roman Empire, Funny Girl, More Than a Miracle, Che!, Mayerling, Trois hommes sur un cheval, The Appointment, Genghis Khan, The Yellow Rolls-Royce, El mamalik, The Night of the Generals, Lawet El Hub, Nahna el talamiza, Gharam el assiad, Hobi al-Wahid, The Beginning and the End, The River of Love, A Rumor of Love, and There is a Man in our House.
George Peppard: How the West Was Won, Breakfast at Tiffany's, The Carpetbaggers, House of Cards, Home from the Hill, The Victors, The Subterraneans, P.J.,What's So Bad About Feeling Good?, Pendulum, Operation Crossbow, The Third Day, Tobruk, Rough Night in Jericho, and The Blue Max.
James Garner: The Great Escape, Grand Prix, Duel at Diablo, 36 Hours, The Pink Jungle, A High Wind in Jamaica,Hour of the Gun, The Americanization of Emily, Cash McCall, The Children's Hour, Boys' Night Out, Action on the Beach, The Art of Love, Grand Prix: Challenge of the Champions, The Thrill of It All, Move Over, Darling, The Wheeler Dealers, Marlowe, Support Your Local Sheriff!, The Man Who Makes the Difference, Once Upon a Wheel, The Racing Scene, A Man Could Get Killed, How Sweet It Is!, and Mister Buddwing.
Donald Pleasence: The Great Escape, The Night of the Generals, You Only Live Twice, Creature of Comfort, Will Penny, Fantastic Voyage, The Greatest Story Ever Told, The Hallelujah Trail, The Caretaker, Suspect, No Love for Johnnie, The Shakedown, The Flesh and the Fiends, The Hands of Orlac, Hell Is a City, The Wind of Change, Circus of Horrors, Sons and Lovers, The Big Day, Dr. Crippen, Cul-de-sac, The Inspector, What a Carve Up!, Eye of the Devil, Matchless, Arthur? Arthur!, The Other People, The Madwoman of Chaillot, A Story of David, and Spare the Rod.
James Coburn: Charade, The Americanization of Emily, The Magnificent Seven, Hell Is for Heroes, The Great Escape, Our Man Flint, In Like Flint, The Man from Galveston, The Murder Men, Hell Is for Heroes, What Did You Do in the War, Daddy?, Duffy, Candy, The President's Analyst, Dead Heat on a Merry-Go-Round, Waterhole No. 3, Major Dundee, A High Wind in Jamaica, The Loved One, and Hard Contract.
Cary Grant: Charade, The Grass Is Greener, That Touch of Mink, Walk, Don't Run, and Father Goose.
Horst Buchholz: The Magnificent Seven, One, Two, Three, Fanny, Nine Hours to Rama, Marco the Magnificent, The Empty Canvas, Ankle Bone, Cervantes, That Man in Istanbul, Johnny Banco, and How, When and with Whom.
Jackie Gleason: Soldier in the Rain, The Hustler, Gigot, Requiem for a Heavyweight, Skidoo, Papa's Delicate Condition, How to Commit Marriage, and Don't Drink the Water.
Arthur Kennedy: Lawrence of Arabia, Barabbas, Hemingway's Adventures of a Young Man, Claudelle Inglish, Cheyenne Autumn, Murder, She Said, Anzio, Shark!, A Minute to Pray, a Second to Die, Hail, Hero!, Nevada Smith,Murieta, Fantastic Voyage, Attack and Retreat, Joy in the Morning, Monday's Child, and Day of the Evil Gun.
Peter Finch: Kidnapped, The Trials of Oscar Wilde, The Day, No Love for Johnnie, In the Cool of the Day, I Thank a Fool, Girl with Green Eyes, The Pumpkin Eater, The Flight of the Phoenix, Judith, First Men in the Moon, Far from the Madding Crowd, 10:30 P.M. Summer, Come Spy with Me, The Greatest Mother of Them All, The Legend of Lylah Clare, and The Red Tent.
Hugh Griffith: How to Steal a Million,Exodus, Mutiny on the Bounty, Oliver!, The Counterfeit Traitor, The Citadel, Point of Departure, The Day They Robbed the Bank of England, The Inspector, Tom Jones, Term of Trial, The Poppy Is Also a Flower, Hide and Seek, The Bargee, The Amorous Adventures of Moll Flanders, On My Way to the Crusades, I Met a Girl Who..., Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, The Sailor from Gibraltar, The Fixer, Il marito è mio e l'ammazzo quando mi pare, and Brown Eye, Evil Eye.
Jason Robards: A Big Hand for the Little Lady, Hour of the Gun, Long Day's Journey into Night, A Thousand Clowns, Act One, By Love Possessed, Isadora, Tender Is the Night, Divorce American Style, A Big Hand for the Little Lady, The St. Valentine's Day Massacre, Any Wednesday, Once Upon a Time in the West, and The Night They Raided Minsky's.
George Seagel: The Southern Star, No Way to Treat a Lady, Invitation to a Gunfighter, Who's Afraid of Virginia Woolf?, Lost Command, The Quiller Memorandum, The St. Valentine's Day Massacre, King Rat, Act One, The Young Doctors, The Bridge at Remagen, The Girl Who Couldn't Say No, Bye Bye Braverman, and The New Interns.
Rod Taylor: Chuka, The Time Machine, Sunday in New York, The Glass Bottom Boat, 36 Hours, The Birds, Hotel, Nobody Runs Forever, The Hell with Heroes, One Hundred and One Dalmatians, Seven Seas to Calais, Colossus and the Amazon Queen, Dark of the Sun, The Liquidator, Young Cassidy, Fate Is the Hunter, Do Not Disturb, and A Gathering of Eagles.
Robert Ryan: Ice Palace, Billy Budd, The Longest Day, The Wild Bunch, The Dirty Dozen, Battle of the Bulge, The Professionals, Anzio, Captain Nemo and the Underwater City, A Minute to Pray, a Second to Die, Hour of the Gun, Custer of the West, The Busy Body, The Canadians, King of Kings, and The Crooked Road.
Christopher Plummer: Battle of Britain, The Sound of Music, The Fall of the Roman Empire, Inside Daisy Clover, The Royal Hunt of the Sun, Lock Up Your Daughters, Nobody Runs Forever, Oedipus the King, The Night of the Generals, and Triple Cross.
Michel Piccoli: Le Doulos, Contempt, Diary of a Chambermaid, La Guerre Est Finit, Les Creatures, The Young Girls of Rochefort, Belle De Jour, Danger: Diabolik, Dillinger is Dead, The Milky Way, Topaz, Lady L, The Day and the Hour, Masquerade, L'Invitée, Climats, Les Petits Drames, Adieu Philippine, La dragée haute, Le Bal des espions, Amazons of Rome, All About Loving, The Sleeping Car Murders, The War Is Over, The Game Is Over, Belle de Jour, Benjamin, Shock Troops, La Chamade, and La Prisonnière.
Tatsuya Nakadai: When a Woman Ascends the Stairs, Yojimbo,The Human Condition: A Soldier's Prayer, Immortal Love, Sanjuro, Harakiri ,High and Low, Kwaidan, The Sword of Doom, The Face of Another, Samurai Rebellion, Kill!, Goyokin, Portrait of Hell, Get 'em All, Daughters, Wives and a Mother ,Miren, A Woman's Life, Pressure of Guilt, Love Under the Crucifix, The Blue Beast, The Other Women, Kumo ga chigieru toki, Hakari, The Legacy of the 500,000, Saigo no shinpan, Blood End, Arijigoku sakusen, Kwaidan, Saigo no shinpan, Fort Graveyard, Cash Calls Hell, Illusion of Blood, Kojiro, The Age of Assassins, The Daphne, Today We Kill... Tomorrow We Die!, Rengō Kantai Shirei Chōkan: Yamamoto Isoroku, Blood End, Hitokiri, Eiko's 5000 Kilograms, and The Battle of the Japan Sea.
James Mason: Lolita, Duffy, Mayerling, The Sea Gull, Age of Consent, The Blue Max, Stranger in the House, The Deadly Affair, Georgy Girl, The Fall of the Roman Empire, The Pumpkin Eater, Genghis Khan, Lord Jim, The Uninhibited, Hero's Island, Torpedo Bay, Tiara Tahiti, The Trials of Oscar Wilde, The Marriage-Go-Round, and Escape from Zahrain.
Vincent Price: The Last Man on Earth, Witchfinder General, Convicts 4, Confessions of an Opium Eater, Tower of London, Tales of Terror, The Raven, Diary of a Madman, The Haunted Palace, The Masque of the Red Death, The Tomb of Ligeia, Twice-Told Tales, Dr. Goldfoot and the Bikini Machine, The Comedy of Terrors, City Under the Sea, The House of 1,000 Dolls, The Pit and the Pendulum, Nefertiti, Queen of the Nile, Rage of the Buccaneers, Beach Party, House of Usher, Master of the World, Dr. Goldfoot and the Girl Bombs, Spirits of the Dead, The Trouble with Girls, The Jackals, More Dead Than Alive, and The Oblong Box.
Jack Nicholson: The Raven, Easy Rider, The Little Shop of Horrors, The Shooting, Head, Hells Angels on Wheels, The Trip, The St. Valentine's Day Massacre, Psych-Out, Thunder Island, Back Door to Hell, Ride in the Whirlwind, Flight to Fury, The Wild Ride, The Broken Land, Studs Lonigan, Too Soon to Love, and The Terror.
Rock Hudson: Lover Come Back, Send Me No Flowers, The Last Sunset, Marilyn, The Spiral Road, Come September, Strange Bedfellows, Man's Favorite Sport?, A Gathering of Eagles, A Very Special Favor, Seconds, Tobruk, Ice Station Zebra, The Undefeated, Blindfold, and A Fine Pair.
Charlton Heston: El Cid, The Pigeon That Took Rome, 55 Days at Peking, The Greatest Story Ever Told, While I Run This Race, All About People, The Agony and the Ecstasy, Number One, Planet of the Apes, Counterpoint, Will Penny, Major Dundee, Khartoum, The War Lord, The Five Cities of June, and Diamond Head.
John Gavin: Psycho, Midnight Lace, Back Street, The Madwoman of Chaillot, Thoroughly Modern Millie, OSS 117 – Double Agent, Tammy Tell Me True, Spartacus, Pedro Páramo, A Breath of Scandal, and Romanoff and Juliet.
Stephen Boyd: Lisa, Billy Rose's Jumbo, Fantastic Voyage, The Poppy Is Also a Flower, The Big Gamble, Slaves, The Caper of the Golden Bulls, Shalako, Assignment K, The Bible: In the Beginning..., The Fall of the Roman Empire, Genghis Khan, The Oscar, The Third Secret, and Imperial Venus.
Dick Van Dyke: Bye Bye Birdie, Mary Poppins, Lt. Robin Crusoe, U.S.N., The Art of Love, What a Way to Go!, Chitty Chitty Bang Bang, Divorce American Style, The Comic, Some Kind of a Nut, Fitzwilly, and Never a Dull Moment.
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Which Director had the best run in the 40s?
Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, We Sail at Midnight, Sex Hygiene, 3 Godfathers, My Darling Clementine, Torpedo Squadron,December 7th: The Movie,They Were Expendable, Fort Apache, The Battle of Midway, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room,and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux.
George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Maya Daren: At Land, Meshes of the Afternoon, A Study for Choreography for Camera, Ritual in Transfigured Time, and Meditation on Violence.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Dorothy Arzner: Dance, Girl, Dance and First Comes Courage.
George Sidney: Pilot No. 5, Holiday in Mexico, Ziegfeld Follies, Thousands Cheer, Anchors Aweigh, The Harvey Girls, Bathing Beauty, The Three Musketeers, Cass Timberlane, and The Red Danube.
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By combining the average scores from IMDb, Letterboxd, Rotten Tomatoes & Metacritic, and then fine-tuning the results with data from Letterboxd, iCheckMovies, TSPDT?, TMDb and IMDb, I was able to come up with the 1001 'GREATEST' MOVIES OF ALL TIME.
In 2015, I created a list titled, “Top10ner’s 1001 'Greatest' Movies of All Time” and many of you seemed to enjoy it and still use it today so I thought it was about time that I updated it..
The original 2015 thread can be found
here as well as the initial
update for those curious about the algorithm.
Basically I started off by gathering ratings from
IMDB (UseCritic Average), Rotten Tomatoes (Tomatometer, Critic Average) & (Audience Score, User Average), Metacritic (Critic Average, User Average) and Letterboxd (User Average). Each site’s average rating was then weighted so that no site’s ratings were favoured above the rest. The next step was to make sure that each film was treated equally. Rather than eliminating films that had little votes, I opted to alter these films score by carefully deducting points depending on how many people have seen it, and therefore voted on it.
I then finally put the list through a final adjustment, where I applied aspects such as critical reception (# of official lists movie is in), audience reception and overall likability/popularity. These figures were determined using sources such as iCheckmovies, Letterboxd and TSPDT?.
I've created the following lists for both Letterboxd and iCheckMovies, as well as a Google spreadsheet where you can check out the
full list and search for particular films easier.
Letterboxd - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time IMDb - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time iCheckMovies - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time Google Spreadsheet - 2020 Edition: Top10ner’s 1001 ‘Greatest’ Movies of All Time ANYWAY, here is the
1001 ‘Greatest’ Movies of All Time. Enjoy! (NOTE: Could only include the first 750 movies due character limit)
RANK | TITLE | YEAR | DIRECTOR |
1 | The Godfather | 1972 | Francis Ford Coppola |
2 | The Godfather: Part II | 1974 | Francis Ford Coppola |
3 | Seven Samurai | 1954 | Akira Kurosawa |
4 | Pulp Fiction | 1994 | Quentin Tarantino |
5 | 12 Angry Men | 1957 | Sidney Lumet |
6 | Spirited Away | 2001 | Hayao Miyazaki |
7 | Schindler's List | 1993 | Steven Spielberg |
8 | Casablanca | 1942 | Michael Curtiz |
9 | Psycho | 1960 | Alfred Hitchcock |
10 | Goodfellas | 1990 | Martin Scorsese |
11 | Lawrence of Arabia | 1962 | David Lean |
12 | The Good, the Bad and the Ugly | 1966 | Sergio Leone |
13 | Singin' in the Rain | 1952 | Stanley Donen & Gene Kelly |
14 | City Lights | 1931 | Charlie Chaplin |
15 | Sunset Boulevard | 1950 | Billy Wilder |
16 | Apocalypse Now | 1979 | Francis Ford Coppola |
17 | The Shawshank Redemption | 1994 | Frank Darabont |
18 | Rear Window | 1954 | Alfred Hitchcock |
19 | Star Wars: Episode V - The Empire Strikes Back | 1980 | Irvin Kershner |
20 | 2001: A Space Odyssey | 1968 | Stanley Kubrick |
21 | Citizen Kane | 1941 | Orson Welles |
22 | M | 1931 | Fritz Lang |
23 | One Flew Over the Cuckoo's Nest | 1975 | Miloš Forman |
24 | Vertigo | 1958 | Alfred Hitchcock |
25 | The Dark Knight | 2008 | Christopher Nolan |
26 | The Silence of the Lambs | 1991 | Jonathan Demme |
27 | Modern Times | 1936 | Charles Chaplin |
28 | Star Wars - A New Hope | 1977 | George Lucas |
29 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | 1964 | Stanley Kubrick |
30 | Come and See | 1985 | Elem Klimov |
31 | Bicycle Thieves | 1948 | Vittorio De Sica |
32 | Tokyo Story | 1953 | Yasujirō Ozu |
33 | It's a Wonderful Life | 1946 | Frank Capra |
34 | Rashomon | 1950 | Akira Kurosawa |
35 | Once Upon a Time in the West | 1968 | Sergio Leone |
36 | Taxi Driver | 1976 | Martin Scorsese |
37 | Ikiru | 1952 | Akira Kurosawa |
38 | Metropolis | 1927 | Fritz Lang |
39 | The Passion of Joan of Arc | 1928 | Carl Theodor Dreyer |
40 | Alien | 1979 | Ridley Scott |
41 | The Third Man | 1949 | Carol Reed |
42 | All About Eve | 1950 | Joseph L. Mankiewicz |
43 | Fanny and Alexander | 1982 | Ingmar Bergman |
44 | Chinatown | 1974 | Roman Polanski |
45 | City of God | 2002 | Fernando Meirelles & Kátia Lund |
46 | Double Indemnity | 1944 | Billy Wilder |
47 | Paths of Glory | 1957 | Stanley Kubrick |
48 | Raiders of the Lost Ark | 1981 | Steven Spielberg |
49 | Andrei Rublev | 1966 | Andrei Tarkovsky |
50 | The Apartment | 1960 | Billy Wilder |
51 | Harakiri | 1962 | Masaki Kobayashi |
52 | Parasite | 2019 | Bong Joon-ho |
53 | The Lord of the Rings: The Fellowship of the Ring | 2001 | Peter Jackson |
54 | The 400 Blows | 1959 | François Truffaut |
55 | Stalker | 1979 | Andrei Tarkovsky |
56 | Some Like It Hot | 1959 | Billy Wilder |
57 | Sunrise: A Song of Two Humans | 1927 | F.W. Murnau |
58 | Pan's Labyrinth | 2006 | Guillermo del Toro |
59 | Ran | 1985 | Akira Kurosawa |
60 | Sherlock, Jr. | 1924 | Buster Keaton |
61 | The Lord of the Rings: The Return of the King | 2003 | Peter Jackson |
62 | The Night of the Hunter | 1955 | Charles Laughton |
63 | A Separation | 2011 | Asghar Farhadi |
64 | Grave of the Fireflies | 1988 | Isao Takahata |
65 | North by Northwest | 1959 | Alfred Hitchcock |
66 | Persona | 1966 | Ingmar Bergman |
67 | Eternal Sunshine of the Spotless Mind | 2004 | Michel Gondry |
68 | Back to the Future | 1985 | Robert Zemeckis |
69 | The Battle of Algiers | 1966 | Gillo Pontecorvo |
70 | Toy Story | 1995 | John Lasseter |
71 | Raging Bull | 1980 | Martin Scorsese |
72 | 8½ (Eight and a Half) | 1963 | Federico Fellini |
73 | Saving Private Ryan | 1998 | Steven Spielberg |
74 | On the Waterfront | 1954 | Elia Kazan |
75 | The Shining | 1980 | Stanley Kubrick |
76 | Three Colors: Red | 1994 | Krzysztof Kieślowski |
77 | The Great Dictator | 1940 | Charles Chaplin |
78 | The Wizard of Oz | 1939 | Victor Fleming, George Cukor, Mervyn… |
79 | The Wages of Fear | 1953 | Henri-Georges Clouzot |
80 | In the Mood for Love | 2000 | Wong Kar-wai |
81 | Spider-Man: Into the Spider-Verse | 2018 | Rodney Rothman, Peter Ramsey… |
82 | The Treasure of the Sierra Madre | 1948 | John Huston |
83 | The Seventh Seal | 1957 | Ingmar Bergman |
84 | The Lord of the Rings: The Two Towers | 2002 | Peter Jackson |
85 | The Red Shoes | 1948 | Michael Powell & Emeric Pressburger |
86 | The General | 1926 | Clyde Bruckman & Buster Keaton |
87 | The Gold Rush | 1925 | Charles Chaplin |
88 | Touch of Evil | 1958 | Orson Welles |
89 | WALL-E | 2008 | Andrew Stanton |
90 | Aliens | 1986 | James Cameron |
91 | Wild Strawberries | 1957 | Ingmar Bergman |
92 | Paris Texas | 1984 | Wim Wenders |
93 | A Clockwork Orange | 1971 | Stanley Kubrick |
94 | La Grande Illusion | 1937 | Jean Renoir |
95 | There Will Be Blood | 2007 | Paul Thomas Anderson |
96 | Amadeus | 1984 | Miloš Forman |
97 | Annie Hall | 1977 | Woody Allen |
98 | Whiplash | 2014 | Damien Chazelle |
99 | Pather Panchali | 1955 | Satyajit Ray |
100 | Cinema Paradiso | 1988 | Giuseppe Tornatore |
101 | It Happened One Night | 1934 | Frank Capra |
102 | The Bridge on the River Kwai | 1957 | David Lean |
103 | The Lives of Others | 2006 | Florian Henckel von Donnersmarck |
104 | Terminator 2: Judgment Day | 1991 | James Cameron |
105 | Blade Runner | 1982 | Ridley Scott |
106 | Yojimbo | 1961 | Akira Kurosawa |
107 | Ugetsu | 1953 | Kenji Mizoguchi |
108 | Reservoir Dogs | 1992 | Quentin Tarantino |
109 | Memento | 2000 | Christopher Nolan |
110 | Princess Mononoke | 1997 | Hayao Miyazaki |
111 | Mad Max: Fury Road | 2015 | George Miller |
112 | The Pianist | 2002 | Roman Polanski |
113 | Wings of Desire | 1987 | Wim Wenders |
114 | The Cabinet of Dr. Caligari | 1920 | Robert Wiene |
115 | The Best Years of Our Lives | 1946 | William Wyler |
116 | Inception | 2010 | Christopher Nolan |
117 | Monty Python and the Holy Grail | 1975 | Terry Gilliam & Terry Jones |
118 | Fargo | 1996 | Joel & Ethan Coen |
119 | La Dolce Vita | 1960 | Federico Fellini |
120 | Oldboy | 2003 | Chan-wook Park |
121 | Nights of Cabiria | 1957 | Federico Fellini |
122 | Toy Story 3 | 2010 | Lee Unkrich |
123 | Children of Paradise | 1945 | Marcel Carné |
124 | Gone with the Wind | 1939 | Victor Fleming,George Cukor... |
125 | Jaws | 1975 | Steven Spielberg |
126 | Das Boot | 1981 | Wolfgang Petersen |
127 | High and Low | 1963 | Akira Kurosawa |
128 | The Mirror | 1975 | Andrei Tarkovsky |
129 | L.A. Confidential | 1997 | Curtis Hanson |
130 | Unforgiven | 1992 | Clint Eastwood |
131 | Amelie | 2001 | Jean-Pierre Jeunet |
132 | My Neighbor Totoro | 1988 | Hayao Miyazaki |
133 | Barry Lyndon | 1975 | Stanley Kubrick |
134 | Le Samouraï | 1967 | Jean-Pierre Melville |
135 | Ordet | 1955 | Carl Theodor Dreyer |
136 | To Be or Not to Be | 1942 | Ernst Lubitsch |
137 | No Country for Old Men | 2007 | Joel & Ethan Coen |
138 | Solaris | 1972 | Andrei Tarkovsky |
139 | Coco | 2017 | Lee Unkrich |
140 | Your Name. | 2016 | Makoto Shinkai |
141 | Fight Club | 1999 | David Fincher |
142 | The Maltese Falcon | 1941 | John Huston |
143 | The Kid | 1921 | Charles Chaplin |
144 | Woman in the Dunes | 1964 | Hiroshi Teshigahara |
145 | Se7en | 1995 | David Fincher |
146 | Do the Right Thing | 1989 | Spike Lee |
147 | The Rules of the Game | 1939 | Jean Renoir |
148 | Aguirre: The Wrath of God | 1972 | Werner Herzog |
149 | The Grapes of Wrath | 1940 | John Ford |
150 | La Haine | 1995 | Mathieu Kassovitz |
151 | Once Upon a Time in America | 1984 | Sergio Leone |
152 | Throne of Blood | 1957 | Akira Kurosawa |
153 | Notorious | 1946 | Alfred Hitchcock |
154 | Badlands | 1973 | Terrence Malick |
155 | A Man Escaped | 1956 | Robert Bresson |
156 | Cool Hand Luke | 1967 | Stuart Rosenberg |
157 | Rosemary's Baby | 1968 | Roman Polanski |
158 | Before Sunrise | 1995 | Richard Linklater |
159 | The Lion King | 1994 | Roger Allers & Rob Minkoff |
160 | Before Sunset | 2004 | Richard Linklater |
161 | Rebecca | 1940 | Alfred Hitchcock |
162 | La strada | 1954 | Federico Fellini |
163 | Duck Soup | 1933 | Leo McCarey |
164 | The Deer Hunter | 1978 | Michael Cimino |
165 | Sansho the Bailiff | 1954 | Kenji Mizoguchi |
166 | The Philadelphia Story | 1940 | George Cukor |
167 | The Man Who Shot Liberty Valance | 1962 | John Ford |
168 | Die Hard | 1988 | John McTiernan |
169 | Brazil | 1985 | Terry Gilliam |
170 | Sweet Smell of Success | 1957 | Alexander Mackendrick |
171 | The Departed | 2006 | Martin Scorsese |
172 | Three Colors: Blue | 1993 | Krzysztof Kieślowski |
173 | The Last Picture Show | 1971 | Peter Bogdanovich |
174 | Rome, Open City | 1945 | Roberto Rossellini |
175 | Up | 2009 | Pete Docter & Bob Peterson |
176 | The Princess Bride | 1987 | Rob Reiner |
177 | Breathless | 1960 | Jean-Luc Godard |
178 | Dog Day Afternoon | 1975 | Sidney Lumet |
179 | Kind Hearts and Coronets | 1949 | Robert Hamer |
180 | To Kill a Mockingbird | 1962 | Robert Mulligan |
181 | Chungking Express | 1994 | Wong Kar-wai |
182 | The Conversation | 1974 | Francis Ford Coppola |
183 | Rio Bravo | 1959 | Howard Hawks |
184 | Full Metal Jacket | 1987 | Stanley Kubrick |
185 | The Handmaiden | 2016 | Chan-wook Park |
186 | A Matter of Life and Death | 1946 | Michael Powell & Emeric Pressburger |
187 | A Woman Under the Influence | 1974 | John Cassavetes |
188 | All the President's Men | 1976 | Alan J. Pakula |
189 | Portrait of a Lady on Fire | 2019 | Céline Sciamma |
190 | The Matrix | 1999 | Lilly & Lana Wachowski |
191 | 12 Years a Slave | 2013 | Steve McQueen |
192 | Brief Encounter | 1945 | David Lean |
193 | Shoplifters | 2018 | Hirokazu Kore-eda |
194 | American Beauty | 1999 | Sam Mendes |
195 | His Girl Friday | 1940 | Howard Hawks |
196 | The Usual Suspects | 1995 | Bryan Singer |
197 | The Graduate | 1967 | Mike Nichols |
198 | Jurassic Park | 1993 | Steven Spielberg |
199 | Memories of Murder | 2003 | Bong Joon-ho |
200 | King Kong | 1933 | Merian C. Cooper & Ernest B. Schoedsack |
201 | Inside Out | 2015 | Pete Docter |
202 | Yi yi | 2000 | Edward Yang |
203 | Raise the Red Lantern | 1991 | Zhang Yimou |
204 | Rififi | 1955 | Jules Dassin |
205 | Blue Velvet | 1986 | David Lynch |
206 | Army of Shadows | 1969 | Jean-Pierre Melville |
207 | This Is Spinal Tap | 1984 | Rob Reiner |
208 | The Wild Bunch | 1969 | Sam Peckinpah |
209 | Witness for the Prosecution | 1957 | Billy Wilder |
210 | Battleship Potemkin | 1925 | Sergei M. Eisenstein |
211 | Strangers on a Train | 1951 | Alfred Hitchcock |
212 | The Searchers | 1956 | John Ford |
213 | The Big Lebowski | 1998 | Joel & Ethan Coen |
214 | Nosferatu | 1922 | F.W. Murnau |
215 | Network | 1976 | Sidney Lumet |
216 | The Hustler | 1961 | Robert Rossen |
217 | The Exterminating Angel | 1962 | Luis Buñuel |
218 | Days of Heaven | 1978 | Terrence Malick |
219 | Finding Nemo | 2003 | Andrew Stanton & Lee Unkrich |
220 | Heat | 1995 | Michael Mann |
221 | The Great Escape | 1963 | John Sturges |
222 | A Streetcar Named Desire | 1951 | Elia Kazan |
223 | Diabolique | 1955 | Henri-Georges Clouzot |
224 | The Sting | 1973 | George Roy Hill |
225 | Night of the Living Dead | 1968 | George A. Romero |
226 | The Thing | 1982 | John Carpenter |
227 | Mulholland Drive | 2001 | David Lynch |
228 | The Conformist | 1970 | Bernardo Bertolucci |
229 | The Grand Budapest Hotel | 2014 | Wes Anderson |
230 | A Brighter Summer Day | 1991 | Edward Yang |
231 | Monty Python's Life of Brian | 1979 | Terry Jones |
232 | Umberto D. | 1952 | Vittorio De Sica |
233 | Who's Afraid of Virginia Woolf? | 1966 | Mike Nichols |
234 | Stagecoach | 1939 | John Ford |
235 | Beauty and the Beast | 1991 | Gary Trousdale & Kirk Wise |
236 | The Big Sleep | 1946 | Howard Hawks |
237 | Inglourious Basterds | 2009 | Quentin Tarantino |
238 | Viridiana | 1961 | Luis Buñuel |
239 | Incendies | 2010 | Denis Villeneuve |
240 | The Terminator | 1984 | James Cameron |
241 | Bride of Frankenstein | 1935 | James Whale |
242 | Sullivan's Travels | 1941 | Preston Sturges |
243 | Playtime | 1967 | Jacques Tati |
244 | Ivan's Childhood | 1962 | Andrei Tarkovsky |
245 | Life Is Beautiful | 1997 | Roberto Benigni |
246 | Butch Cassidy and the Sundance Kid | 1969 | George Roy Hill |
247 | Manhattan | 1979 | Woody Allen |
248 | Trainspotting | 1996 | Danny Boyle |
249 | All Quiet on the Western Front | 1930 | Lewis Milestone |
250 | The Young and the Damned | 1950 | Luis Buñuel |
251 | The Elephant Man | 1980 | David Lynch |
252 | All About My Mother | 1999 | Pedro Almodóvar |
253 | Le Trou | 1960 | Jacques Becker |
254 | The Leopard | 1963 | Luchino Visconti |
255 | Laura | 1944 | Otto Preminger |
256 | Shadow of a Doubt | 1943 | Alfred Hitchcock |
257 | Mr. Smith Goes to Washington | 1939 | Frank Capra |
258 | Hiroshima Mon Amour | 1959 | Alain Resnais |
259 | Bringing Up Baby | 1938 | Howard Hawks |
260 | Out of the Past | 1947 | Jacques Tourneur |
261 | Anatomy of a Murder | 1959 | Otto Preminger |
262 | Crouching Tiger, Hidden Dragon | 2000 | Ang Lee |
263 | L'avventura | 1960 | Michelangelo Antonioni |
264 | Beauty and the Beast | 1946 | Jean Cocteau |
265 | The Hunt | 2012 | Thomas Vinterberg |
266 | Forrest Gump | 1994 | Robert Zemeckis |
267 | Ace in the Hole | 1951 | Billy Wilder |
268 | Late Spring | 1949 | Yasujirō Ozu |
269 | The Celebration | 1998 | Thomas Vinterberg |
270 | Au Revoir Les Enfants | 1987 | Louis Malle |
271 | Spotlight | 2015 | Tom McCarthy |
272 | Roman Holiday | 1953 | William Wyler |
273 | Amour | 2012 | Michael Haneke |
274 | Ali: Fear Eats the Soul | 1974 | Rainer Werner Fassbinder |
275 | Paddington 2 | 2017 | Paul King |
276 | The Life and Death of Colonel Blimp | 1943 | Michael Powell & Emeric Pressburger |
277 | The French Connection | 1971 | William Friedkin |
278 | The Discreet Charm of the Bourgeoisie | 1972 | Luis Buñuel |
279 | High Noon | 1952 | Fred Zinnemann |
280 | Akira | 1988 | Katsuhiro Otomo |
281 | 4 Months, 3 Weeks and 2 Days | 2007 | Cristian Mungiu |
282 | Ben-Hur | 1959 | William Wyler |
283 | Let the Right One In | 2008 | Tomas Alfredson |
284 | Nashville | 1975 | Robert Altman |
285 | Room | 2015 | Lenny Abrahamson |
286 | The Adventures of Robin Hood | 1938 | Michael Curtiz & William Keighley |
287 | Jules and Jim | 1962 | François Truffaut |
288 | Good Will Hunting | 1997 | Gus Van Sant |
289 | Young Frankenstein | 1974 | Mel Brooks |
290 | White Heat | 1949 | Raoul Walsh |
291 | Short Term 12 | 2013 | Destin Cretton |
292 | The Killing | 1956 | Stanley Kubrick |
293 | In a Lonely Place | 1950 | Nicholas Ray |
294 | Frankenstein | 1931 | James Whale |
295 | Secrets & Lies | 1996 | Mike Leigh |
296 | Django Unchained | 2012 | Quentin Tarantino |
297 | Call Me by Your Name | 2017 | Luca Guadagnino |
298 | Magnolia | 1999 | Paul Thomas Anderson |
299 | Being There | 1979 | Hal Ashby |
300 | The Manchurian Candidate | 1962 | John Frankenheimer |
301 | Paper Moon | 1973 | Peter Bogdanovich |
302 | The Shop Around the Corner | 1940 | Ernst Lubitsch |
303 | Halloween | 1978 | John Carpenter |
304 | The World of Apu | 1959 | Satyajit Ray |
305 | Spring, Summer, Fall, Winter... and Spring | 2003 | Kim Ki-duk |
306 | L'Atalante | 1934 | Jean Vigo |
307 | The Iron Giant | 1999 | Brad Bird |
308 | The Exorcist | 1973 | William Friedkin |
309 | Amores Perros | 2000 | Alejandro González Iñárritu |
310 | Central Station | 1998 | Walter Salles |
311 | Bonnie and Clyde | 1967 | Arthur Penn |
312 | Persepolis | 2007 | Vincent Paronnaud & Marjane Satrapi |
313 | The Best of Youth | 2003 | Marco Tullio Giordana |
314 | The Spirit of the Beehive | 1973 | Víctor Erice |
315 | Z | 1969 | Costa-Gavras |
316 | Underground | 1995 | Emir Kusturica |
317 | The Killer | 1989 | John Woo |
318 | Kes | 1969 | Ken Loach |
319 | Moonlight | 2016 | Barry Jenkins |
320 | Howl's Moving Castle | 2004 | Hayao Miyazaki |
321 | Her | 2013 | Spike Jonze |
322 | Requiem for a Dream | 2000 | Darren Aronofsky |
323 | The Truman Show | 1998 | Peter Weir |
324 | The Incredibles | 2004 | Brad Bird |
325 | Cries and Whispers | 1972 | Ingmar Bergman |
326 | Stand by Me | 1986 | Rob Reiner |
327 | Before Midnight | 2013 | Richard Linklater |
328 | Groundhog Day | 1993 | Harold Ramis |
329 | Little Women | 2019 | Greta Gerwig |
330 | The Social Network | 2010 | David Fincher |
331 | The Right Stuff | 1983 | Philip Kaufman |
332 | Get Out | 2017 | Jordan Peele |
333 | It's Such a Beautiful Day | 2012 | Don Hertzfeldt |
334 | Boogie Nights | 1997 | Paul Thomas Anderson |
335 | Fantasia | 1940 | Samuel Armstrong, James Algar... |
336 | Black Narcissus | 1947 | Michael Powell & Emeric Pressburger |
337 | Midnight Cowboy | 1969 | John Schlesinger |
338 | Children of Men | 2006 | Alfonso Cuarón |
339 | E.T. the Extra-Terrestrial | 1982 | Steven Spielberg |
340 | Toy Story 2 | 1999 | John Lasseter |
341 | Leon: The Professional | 1994 | Luc Besson |
342 | Cabaret | 1972 | Bob Fosse |
343 | The Diving Bell and the Butterfly | 2007 | Julian Schnabel |
344 | Ratatouille | 2007 | Brad Bird |
345 | The Cranes Are Flying | 1957 | Mikhail Kalatozov |
346 | Day for Night | 1973 | François Truffaut |
347 | Withnail & I | 1987 | Bruce Robinson |
348 | Safety Last! | 1923 | Fred C. Newmeyer & Sam Taylor |
349 | The Umbrellas of Cherbourg | 1964 | Jacques Demy |
350 | Shaun of the Dead | 2004 | Edgar Wright |
351 | Song of the Sea | 2014 | Tomm Moore |
352 | Scarface | 1983 | Brian De Palma |
353 | Harold and Maude | 1971 | Hal Ashby |
354 | Platoon | 1986 | Oliver Stone |
355 | The Nightmare Before Christmas | 1993 | Henry Selick |
356 | Close Encounters of the Third Kind | 1977 | Steven Spielberg |
357 | Talk to Her | 2002 | Pedro Almodóvar |
358 | Wild Tales | 2014 | Damián Szifrón |
359 | Close-Up | 1990 | Abbas Kiarostami |
360 | Time of the Gypsies | 1988 | Emir Kusturica |
361 | Mary and Max | 2009 | Adam Elliot |
362 | The Return | 2003 | Andrey Zvyagintsev |
363 | Logan | 2017 | James Mangold |
364 | For a Few Dollars More | 1965 | Sergio Leone |
365 | A Prophet | 2009 | Jacques Audiard |
366 | La La Land | 2016 | Damien Chazelle |
367 | The Sound of Music | 1965 | Robert Wise |
368 | The King of Comedy | 1982 | Martin Scorsese |
369 | The Big Heat | 1953 | Fritz Lang |
370 | In the Heat of the Night | 1967 | Norman Jewison |
371 | Amarcord | 1973 | Federico Fellini |
372 | A Night at the Opera | 1935 | Sam Wood |
373 | Repulsion | 1965 | Roman Polanski |
374 | Freaks | 1932 | Tod Browning |
375 | Au Hasard Balthazar | 1966 | Robert Bresson |
376 | Downfall | 2004 | Oliver Hirschbiegel |
377 | Lost in Translation | 2003 | Sofia Coppola |
378 | Belle de Jour | 1967 | Luis Buñuel |
379 | What Ever Happened to Baby Jane? | 1962 | Robert Aldrich |
380 | The Circus | 1928 | Charles Chaplin |
381 | How to Train Your Dragon | 2010 | Chris Sanders & Dean DeBlois |
382 | Crimes and Misdemeanors | 1989 | Woody Allen |
383 | Breaking the Waves | 1996 | Lars von Trier |
384 | Brokeback Mountain | 2005 | Ang Lee |
385 | Steamboat Bill, Jr. | 1928 | Buster Keaton & Charles Reisner |
386 | Werckmeister Harmonies | 2000 | Béla Tarr & Ágnes Hranitzky |
387 | Greed | 1924 | Erich von Stroheim |
388 | Roma | 2018 | Alfonso Cuarón |
389 | Make Way for Tomorrow | 1937 | Leo McCarey |
390 | The Lady Eve | 1941 | Preston Sturges |
391 | The Straight Story | 1999 | David Lynch |
392 | Neon Genesis Evangelion: The End of Evangelion | 1997 | Kazuya Tsurumaki & Hideaki Anno |
393 | Indiana Jones and the Last Crusade | 1989 | Steven Spielberg |
394 | Peeping Tom | 1960 | Michael Powell |
395 | The Secret in Their Eyes | 2009 | Juan José Campanella |
396 | Cleo from 5 to 7 | 1962 | Agnès Varda |
397 | Aladdin | 1992 | Ron Clements & John Musker |
398 | Rocco and His Brothers | 1960 | Luchino Visconti |
399 | Hannah and Her Sisters | 1986 | Woody Allen |
400 | My Darling Clementine | 1946 | John Ford |
401 | Avengers: Endgame | 2019 | Joe & Anthony Russo |
402 | Infernal Affairs | 2002 | Alan Mak & Andrew Lau |
403 | Patton | 1970 | Franklin J. Schaffner |
404 | Mary Poppins | 1964 | Robert Stevenson |
405 | Monsters, Inc. | 2001 | Pete Docter |
406 | Hunt for the Wilderpeople | 2016 | Taika Waititi |
407 | Children of Heaven | 1997 | Majid Majidi |
408 | Last Year at Marienbad | 1961 | Alain Resnais |
409 | Sanjuro | 1962 | Akira Kurosawa |
410 | 1917 | 2019 | Sam Mendes |
411 | Avengers: Infinity War | 2018 | Joe & Anthony Russo |
412 | The Tale of the Princess Kaguya | 2013 | Isao Takahata |
413 | Three Billboards Outside Ebbing, Missouri | 2017 | Martin McDonagh |
414 | Through a Glass Darkly | 1961 | Ingmar Bergman |
415 | The Thin Man | 1934 | W.S. Van Dyke |
416 | American History X | 1998 | Tony Kaye |
417 | Knives Out | 2019 | Rian Johnson |
418 | Orpheus | 1950 | Jean Cocteau |
419 | Evil Dead II | 1987 | Sam Raimi |
420 | Airplane! | 1980 | Jim Abrahams, Jerry & David Zucker |
421 | Red River | 1948 | Howard Hawks & Arthur Rosson |
422 | Rope | 1948 | Alfred Hitchcock |
423 | Y tu mamá también | 2001 | Alfonso Cuarón |
424 | Million Dollar Baby | 2004 | Clint Eastwood |
425 | Pickpocket | 1959 | Robert Bresson |
426 | Being John Malkovich | 1999 | Spike Jonze |
427 | The Cameraman | 1928 | Buster Keaton & Edward Sedgwick |
428 | Satantango | 1994 | Béla Tarr |
429 | Hard Boiled | 1992 | John Woo |
430 | Naked | 1993 | Mike Leigh |
431 | The Double Life of Veronique | 1991 | Krzysztof Kieślowski |
432 | Arrival | 2016 | Denis Villeneuve |
433 | Rushmore | 1998 | Wes Anderson |
434 | Sing Street | 2016 | John Carney |
435 | Rebel Without a Cause | 1955 | Nicholas Ray |
436 | The Lady Vanishes | 1938 | Alfred Hitchcock |
437 | The Last Laugh | 1924 | F.W. Murnau |
438 | The Green Mile | 1999 | Frank Darabont |
439 | Vivre Sa Vie | 1962 | Jean-Luc Godard |
440 | Spartacus | 1960 | Stanley Kubrick |
441 | A Hard Day's Night | 1964 | Richard Lester |
442 | Autumn Sonata | 1978 | Ingmar Bergman |
443 | Ghostbusters | 1984 | Ivan Reitman |
444 | The Hidden Fortress | 1958 | Akira Kurosawa |
445 | Capernaum | 2018 | Nadine Labaki |
446 | Mommy | 2014 | Xavier Dolan |
447 | Le Cercle Rouge | 1970 | Jean-Pierre Melville |
448 | Down by Law | 1986 | Jim Jarmusch |
449 | Stalag 17 | 1953 | Billy Wilder |
450 | Boyhood | 2014 | Richard Linklater |
451 | Trouble in Paradise | 1932 | Ernst Lubitsch |
452 | Judgment at Nuremberg | 1961 | Stanley Kramer |
453 | Casino | 1995 | Martin Scorsese |
454 | McCabe & Mrs. Miller | 1971 | Robert Altman |
455 | The Prestige | 2006 | Christopher Nolan |
456 | The Irishman | 2019 | Martin Scorsese |
457 | Blade Runner 2049 | 2017 | Denis Villeneuve |
458 | Faust | 1926 | F.W. Murnau |
459 | Marriage Story | 2019 | Noah Baumbach |
460 | Fireworks | 1997 | Takeshi Kitano |
461 | Star Wars: Episode VI - Return of the Jedi | 1983 | Richard Marquand |
462 | Nausicaä of the Valley of the Wind | 1984 | Hayao Miyazaki |
463 | Goldfinger | 1964 | Guy Hamilton |
464 | Gangs of Wasseypur | 2012 | Anurag Kashyap |
465 | Snow White and the Seven Dwarfs | 1937 | David Hand |
466 | Invasion of the Body Snatchers | 1956 | Don Siegel |
467 | Top Hat | 1935 | Mark Sandrich |
468 | The King's Speech | 2010 | Tom Hooper |
469 | Farewell My Concubine | 1993 | Chen Kaige |
470 | The Breakfast Club | 1985 | John Hughes |
471 | Wolf Children | 2012 | Mamoru Hosoda |
472 | The Sixth Sense | 1999 | M. Night Shyamalan |
473 | Boyz n the Hood | 1991 | John Singleton |
474 | In the Name of the Father | 1993 | Jim Sheridan |
475 | Gladiator | 2000 | Ridley Scott |
476 | The Phantom Carriage | 1921 | Victor Sjöström |
477 | Dead Poets Society | 1989 | Peter Weir |
478 | What We Do in the Shadows | 2014 | Jemaine Clement & Taika Waititi |
479 | The Birds | 1963 | Alfred Hitchcock |
480 | Moonrise Kingdom | 2012 | Wes Anderson |
481 | A Fistful of Dollars | 1964 | Sergio Leone |
482 | Kill Bill: Vol. 1 | 2003 | Quentin Tarantino |
483 | Manchester by the Sea | 2016 | Kenneth Lonergan |
484 | Who Framed Roger Rabbit | 1988 | Robert Zemeckis |
485 | Almost Famous | 2000 | Cameron Crowe |
486 | Lady Bird | 2017 | Greta Gerwig |
487 | To Have and Have Not | 1944 | Howard Hawks |
488 | Kiki's Delivery Service | 1989 | Hayao Miyazaki |
489 | Kill Bill: Vol. 2 | 2004 | Quentin Tarantino |
490 | Eyes Without a Face | 1960 | Georges Franju |
491 | Blazing Saddles | 1974 | Mel Brooks |
492 | The Sacrifice | 1986 | Andrei Tarkovsky |
493 | The 39 Steps | 1935 | Alfred Hitchcock |
494 | Donnie Darko | 2001 | Richard Kelly |
495 | Gone Girl | 2014 | David Fincher |
496 | Eraserhead | 1977 | David Lynch |
497 | Hero | 2002 | Zhang Yimou |
498 | Ghost in the Shell | 1995 | Mamoru Oshii |
499 | Miller's Crossing | 1990 | Joel & Ethan Coen |
500 | Meet Me in St. Louis | 1944 | Vincente Minnelli |
501 | Great Expectations | 1946 | David Lean |
502 | Contempt | 1963 | Jean-Luc Godard |
503 | Scarface | 1932 | Howard Hawks |
504 | Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman |
505 | My Left Foot | 1989 | Jim Sheridan |
506 | The Long Goodbye | 1973 | Robert Altman |
507 | Zootopia | 2016 | Byron Howard |
508 | Catch Me If You Can | 2002 | Steven Spielberg |
509 | Fitzcarraldo | 1982 | Werner Herzog |
510 | West Side Story | 1961 | Jerome Robbins & Robert Wise |
511 | All That Jazz | 1979 | Bob Fosse |
512 | Castle in the Sky | 1986 | Hayao Miyazaki |
513 | Kagemusha | 1980 | Akira Kurosawa |
514 | The Wolf of Wall Street | 2013 | Martin Scorsese |
515 | My Fair Lady | 1964 | George Cukor |
516 | Dunkirk | 2017 | Christopher Nolan |
517 | Guardians of the Galaxy | 2014 | James Gunn |
518 | The Lost Weekend | 1945 | Billy Wilder |
519 | The Intouchables | 2011 | Eric Toledano & Olivier Nakache |
520 | Nightcrawler | 2014 | Dan Gilroy |
521 | Short Cuts | 1993 | Robert Altman |
522 | A Silent Voice | 2016 | Naoko Yamada |
523 | The Innocents | 1961 | Jack Clayton |
524 | Nostalgia | 1983 | Andrei Tarkovsky |
525 | Mean Streets | 1973 | Martin Scorsese |
526 | Rocky | 1976 | John G. Avildsen |
527 | I Am Cuba | 1964 | Mikhail Kalatozov |
528 | 3-Iron | 2004 | Kim Ki-duk |
529 | Dirty Harry | 1971 | Don Siegel |
530 | Mad Max 2: The Road Warrior | 1981 | George Miller |
531 | The Crowd | 1928 | King Vidor |
532 | The Triplets of Belleville | 2003 | Sylvain Chomet |
533 | Black Swan | 2010 | Darren Aronofsky |
534 | Mon Oncle | 1958 | Jacques Tati |
535 | The Piano | 1993 | Jane Campion |
536 | Ed Wood | 1994 | Tim Burton |
537 | Head-On | 2004 | Fatih Akin |
538 | Harry Potter and the Prisoner of Azkaban | 2004 | Alfonso Cuarón |
539 | The Insider | 1999 | Michael Mann |
540 | Forbidden Games | 1952 | René Clément |
541 | Harry Potter and the Deathly Hallows: Part 2 | 2011 | David Yates |
542 | When Harry Met Sally... | 1989 | Rob Reiner |
543 | The Wrestler | 2008 | Darren Aronofsky |
544 | The Player | 1992 | Robert Altman |
545 | Inside Llewyn Davis | 2013 | Joel & Ethan Coen |
546 | Blow-Up | 1966 | Michelangelo Antonioni |
547 | The Remains of the Day | 1993 | James Ivory |
548 | The Man Who Would Be King | 1975 | John Huston |
549 | The Florida Project | 2017 | Sean Baker |
550 | Napoleon | 1927 | Abel Gance |
551 | Suspiria | 1977 | Dario Argento |
552 | Drive | 2011 | Nicolas Winding Refn |
553 | The Producers | 1967 | Mel Brooks |
554 | That Obscure Object of Desire | 1977 | Luis Buñuel |
555 | The Outlaw Josey Wales | 1976 | Clint Eastwood |
556 | Klaus | 2019 | Sergio Pablos |
557 | The African Queen | 1951 | John Huston |
558 | Ninotchka | 1939 | Ernst Lubitsch |
559 | Slumdog Millionaire | 2008 | Danny Boyle |
560 | My Man Godfrey | 1936 | Gregory La Cava |
561 | Dangal | 2016 | Nitesh Tiwari |
562 | Blood Simple. | 1984 | Joel & Ethan Coen |
563 | Interstellar | 2014 | Christopher Nolan |
564 | About Elly | 2009 | Asghar Farhadi |
565 | Hot Fuzz | 2007 | Edgar Wright |
566 | Johnny Guitar | 1954 | Nicholas Ray |
567 | Planet of the Apes | 1968 | Franklin J. Schaffner |
568 | The Quiet Man | 1952 | John Ford |
569 | Fantastic Mr. Fox | 2009 | Wes Anderson |
570 | Casino Royale | 2006 | Martin Campbell |
571 | Monsieur Hulot's Holiday | 1953 | Jacques Tati |
572 | Adaptation. | 2002 | Spike Jonze |
573 | American Graffiti | 1973 | George Lucas |
574 | Barton Fink | 1991 | Joel & Ethan Coen |
575 | Tampopo | 1985 | Juzo Itami |
576 | Little Miss Sunshine | 2006 | Jonathan Dayton & Valerie Faris |
577 | Edward Scissorhands | 1990 | Tim Burton |
578 | The Earrings of Madame de… | 1953 | Max Ophüls |
579 | Arsenic and Old Lace | 1944 | Frank Capra |
580 | Doctor Zhivago | 1965 | David Lean |
581 | The Virgin Spring | 1960 | Ingmar Bergman |
582 | Jean de Florette | 1986 | Claude Berri |
583 | Zodiac | 2007 | David Fincher |
584 | Aparajito | 1956 | Satyajit Ray |
585 | The Asphalt Jungle | 1950 | John Huston |
586 | Ex Machina | 2014 | Alex Garland |
587 | The Favourite | 2018 | Yorgos Lanthimos |
588 | The Royal Tenenbaums | 2001 | Wes Anderson |
589 | The Twilight Samurai | 2002 | Yôji Yamada |
590 | Pierrot le Fou | 1965 | Jean-Luc Godard |
591 | The Day the Earth Stood Still | 1951 | Robert Wise |
592 | Enter the Dragon | 1973 | Robert Clouse |
593 | Batman Begins | 2005 | Christopher Nolan |
594 | Hell or High Water | 2016 | David Mackenzie |
595 | Dersu Uzala | 1975 | Akira Kurosawa |
596 | Letter from an Unknown Woman | 1948 | Max Ophüls |
597 | Sleuth | 1972 | Joseph L. Mankiewicz |
598 | Whisper of the Heart | 1995 | Yoshifumi Kondô |
599 | Nobody Knows | 2004 | Hirokazu Koreeda |
600 | Glengarry Glen Ross | 1992 | James Foley |
601 | Dogville | 2003 | Lars von Trier |
602 | Nine Queens | 2000 | Fabián Bielinsky |
603 | The Sweet Hereafter | 1997 | Atom Egoyan |
604 | Dazed and Confused | 1993 | Richard Linklater |
605 | True Romance | 1993 | Tony Scott |
606 | The Great Beauty | 2013 | Paolo Sorrentino |
607 | Band of Outsiders | 1964 | Jean-Luc Godard |
608 | Eighth Grade | 2018 | Bo Burnham |
609 | The Killing Fields | 1984 | Roland Joffé |
610 | Once | 2007 | John Carney |
611 | The Artist | 2011 | Michel Hazanavicius |
612 | Sling Blade | 1996 | Billy Bob Thornton |
613 | Ferris Bueller's Day Off | 1986 | John Hughes |
614 | Dial M for Murder | 1954 | Alfred Hitchcock |
615 | The Farewell | 2019 | Lulu Wang |
616 | Limelight | 1952 | Charles Chaplin |
617 | Charade | 1963 | Stanley Donen |
618 | Prisoners | 2013 | Denis Villeneuve |
619 | Mildred Pierce | 1945 | Michael Curtiz |
620 | Kubo and the Two Strings | 2016 | Travis Knight |
621 | Winter Sleep | 2014 | Nuri Bilge Ceylan |
622 | Hedwig and the Angry Inch | 2001 | John Cameron Mitchell |
623 | Kiss Me Deadly | 1955 | Robert Aldrich |
624 | Pride | 2014 | Matthew Warchus |
625 | After Hours | 1985 | Martin Scorsese |
626 | East of Eden | 1955 | Elia Kazan |
627 | Mission: Impossible - Fallout | 2018 | Christopher McQuarrie |
628 | The Mother and the Whore | 1973 | Jean Eustache |
629 | Perfect Blue | 1997 | Satoshi Kon |
630 | The Blues Brothers | 1980 | John Landis |
631 | Elevator to the Gallows | 1958 | Louis Malle |
632 | Pain and Glory | 2019 | Pedro Almodóvar |
633 | The Fugitive | 1993 | Andrew Davis |
634 | The Vanishing | 1988 | George Sluizer |
635 | Hidden Figures | 2016 | Theodore Melfi |
636 | JFK | 1991 | Oliver Stone |
637 | Dancer in the Dark | 2000 | Lars von Trier |
638 | Don't Look Now | 1973 | Nicolas Roeg |
639 | Dallas Buyers Club | 2013 | Jean-Marc Vallée |
640 | Hotel Rwanda | 2004 | Terry George |
641 | Sense and Sensibility | 1995 | Ang Lee |
642 | The Avengers | 2012 | Joss Whedon |
643 | Vampyr | 1932 | Carl Theodor Dreyer |
644 | Twelve Monkeys | 1995 | Terry Gilliam |
645 | Rain Man | 1988 | Barry Levinson |
646 | Pinocchio | 1940 | Hamilton Luske & Ben Sharpsteen |
647 | The White Ribbon | 2009 | Michael Haneke |
648 | Zelig | 1983 | Woody Allen |
649 | The Magnificent Ambersons | 1942 | Orson Welles & Fred Fleck |
650 | Stranger Than Paradise | 1984 | Jim Jarmusch |
651 | Picnic at Hanging Rock | 1975 | Peter Weir |
652 | 3 Idiots | 2009 | Rajkumar Hirani |
653 | Phantom Thread | 2017 | Paul Thomas Anderson |
654 | The Last Emperor | 1987 | Bernardo Bertolucci |
655 | Birdman | 2014 | Alejandro González Iñárritu |
656 | Day of Wrath | 1943 | Carl Theodor Dreyer |
657 | The Texas Chain Saw Massacre | 1974 | Tobe Hooper |
658 | Deliverance | 1972 | John Boorman |
659 | Gandhi | 1982 | Richard Attenborough |
660 | Warrior | 2011 | Gavin O'Connor |
661 | In Bruges | 2008 | Martin McDonagh |
662 | C.R.A.Z.Y. | 2005 | Jean-Marc Vallée |
663 | To Live | 1994 | Zhang Yimou |
664 | The Fly | 1986 | David Cronenberg |
665 | The Lego Movie | 2014 | Phil Lord & Christopher Miller |
666 | Volver | 2006 | Pedro Almodóvar |
667 | The Thin Red Line | 1998 | Terrence Malick |
668 | Our Hospitality | 1923 | John G. Blystone & Buster Keaton |
669 | La Notte | 1961 | Michelangelo Antonioni |
670 | The Holy Mountain | 1973 | Alejandro Jodorowsky |
671 | Malcolm X | 1992 | Spike Lee |
672 | The Dark Knight Rises | 2012 | Christopher Nolan |
673 | The Purple Rose of Cairo | 1985 | Woody Allen |
674 | Isle of Dogs | 2018 | Wes Anderson |
675 | The Lion in Winter | 1968 | Anthony Harvey |
676 | A Short Film About Killing | 1988 | Krzysztof Kieślowski |
677 | Black Cat, White Cat | 1998 | Emir Kusturica |
678 | Mother | 2009 | Bong Joon-ho |
679 | Snatch. | 2000 | Guy Ritchie |
680 | If.... | 1968 | Lindsay Anderson |
681 | Toy Story 4 | 2019 | John Lasseter |
682 | Godzilla | 1954 | Ishirô Honda |
683 | A Short Film About Love | 1988 | Krzysztof Kieślowski |
684 | Intolerance: Love's Struggle Throughout the Ages | 1916 | D.W. Griffith |
685 | Carol | 2015 | Todd Haynes |
686 | Letters from Iwo Jima | 2006 | Clint Eastwood |
687 | Fiddler on the Roof | 1971 | Norman Jewison |
688 | Moon | 2009 | Duncan Jones |
689 | L'Eclisse | 1962 | Michelangelo Antonioni |
690 | Serpico | 1973 | Sidney Lumet |
691 | Porco Rosso | 1992 | Hayao Miyazaki |
692 | The Heiress | 1949 | William Wyler |
693 | Winter Light | 1963 | Ingmar Bergman |
694 | Cat on a Hot Tin Roof | 1958 | Richard Brooks |
695 | Elite Squad: The Enemy Within | 2010 | José Padilha |
696 | Deep Red | 1975 | Dario Argento |
697 | The Ox-Bow Incident | 1942 | William A. Wellman |
698 | Pride & Prejudice | 2005 | Joe Wright |
699 | The Blue Angel | 1930 | Josef von Sternberg |
700 | Women on the Verge of a Nervous Breakdown | 1988 | Pedro Almodóvar |
701 | Three Colors: White | 1994 | Krzysztof Kieślowski |
702 | The Ladykillers | 1955 | Alexander Mackendrick |
703 | Breakfast at Tiffany's | 1961 | Blake Edwards |
704 | Lagaan: Once Upon a Time in India | 2001 | Ashutosh Gowariker |
705 | Baby Driver | 2017 | Edgar Wright |
706 | Iron Man | 2008 | Jon Favreau |
707 | Kramer vs. Kramer | 1979 | Robert Benton |
708 | The Martian | 2015 | Ridley Scott |
709 | The Bourne Ultimatum | 2007 | Paul Greengrass |
710 | Thor: Ragnarok | 2017 | Taika Waititi |
711 | Burning | 2018 | Lee Chang-dong |
712 | The Wind Rises | 2013 | Hayao Miyazaki |
713 | Jojo Rabbit | 2019 | Taika Waititi |
714 | Batman: The Dark Knight Returns, Part 2 | 2013 | Jay Oliva |
715 | Cache (Hidden) | 2005 | Michael Haneke |
716 | Delicatessen | 1991 | Jean-Pierre Jeunet & Marc Caro |
717 | Willy Wonka & the Chocolate Factory | 1971 | Mel Stuart |
718 | Shrek | 2001 | Andrew Adamson & Vicky Jenson |
719 | A Christmas Story | 1983 | Bob Clark |
720 | The Life of Oharu | 1952 | Kenji Mizoguchi |
721 | Pandora's Box | 1929 | G.W. Pabst |
722 | Five Easy Pieces | 1970 | Bob Rafelson |
723 | Thelma & Louise | 1991 | Ridley Scott |
724 | Andhadhun | 2018 | Sriram Raghavan |
725 | The Big Sick | 2017 | Michael Showalter |
726 | Gilda | 1946 | Charles Vidor |
727 | Creed | 2015 | Ryan Coogler |
728 | Blue Is the Warmest Color | 2013 | Abdellatif Kechiche |
729 | RoboCop | 1987 | Paul Verhoeven |
730 | Shane | 1953 | George Stevens |
731 | A Face in the Crowd | 1957 | Elia Kazan |
732 | Moana | 2016 | Ron Clements & John Musker |
733 | Argo | 2012 | Ben Affleck |
734 | Gravity | 2013 | Alfonso Cuarón |
735 | BlacKkKlansman | 2018 | Spike Lee |
736 | I Am a Fugitive from the Chain Gang | 1932 | Mervyn LeRoy |
737 | The Magnificent Seven | 1960 | John Sturges |
738 | Run Lola Run | 1998 | Tom Tykwer |
739 | A Star Is Born | 1954 | George Cukor |
740 | Mystic River | 2003 | Clint Eastwood |
741 | Brooklyn | 2015 | John Crowley |
742 | The Ten Commandments | 1956 | Cecil B. DeMille |
743 | Miracle on 34th Street | 1947 | George Seaton |
744 | Into the Wild | 2007 | Sean Penn |
745 | This Is England | 2006 | Shane Meadows |
746 | Love and Death | 1975 | Woody Allen |
747 | Mustang | 2015 | Deniz Gamze Ergüven |
748 | Departures | 2008 | Yojiro Takita |
749 | Star Trek | 2009 | J.J. Abrams |
750 | Selma | 2014 | Ava DuVernay |
Please let me know if there are any glaring omissions, mistakes, or possible bias, as well as any other feedback that you have that could improve the list. Thank you.
Extra Lists:
500 ‘Greatest’ Movies of the 21st Century CRITIC EDITION: Top10ner’s 1000 ‘Greatest’ Films of All Time AUDIENCE EDITION: Top10ner’s 1000 ‘Greatest’ Movies of All Time submitted by StopReadinMyUsername to movies [link] [comments]
are there casinos in cairo video
Best Casino Hotels in Cairo on Tripadvisor: Find 27,874 traveler reviews, 17,794 candid photos, and prices for 12 casino hotels in Cairo, Egypt. This Cairo casino hotel and all other hotel casinos are a place for fun and entertainment. Cairo casinos. There are around 30 licensed large-scale casinos operating in the country out of which 20 are in Cairo only. Along with one cruise-ship casino sailing in the Nile. This are the biggest casino in Cairo as well. Cairo Casinos and Cairo Gambling - Egypt . ... There are hundreds of jurisdictions in the world with Internet access and hundreds different games and gambling opportunities available on the Internet. YOU are responsible for determining if it is legal for YOU to play any particular games or place any particular wager. Please play responsibly. There are 20 different land-based casinos and a casino on a cruise liner which cruises on the Nile River. The leading casino cluster can be found in Cairo the country’s capital. Some casinos location can also be located in Sharm el-Sheikh, Alexandria and Taba. Here you find also the biggest casino in Cairo. Casino in Cairo Egypt There are 3 cities with gambling facilities in Egypt which have 17 legal gambling facilities available in total. The types of gambling available in Egypt are: casinos. The largest gambling city in Egypt is Cairo with 14 gambling facilities, 104 tables games, 330 gaming, slot, and video poker machines. There are a total of 104 table games. Click a casino on the left for more information on a particular property. There is poker in Cairo! You will find over 9 live poker tables to play at. You will find the following games in Cairo casinos: NL Texas Hold'em, Texas Hold'em, Tournaments. Some Cairo casinos also offer convention centers and meeting ... The customer services provided at all of these Cairo casinos are simply excellent and the same can be confirmed on the internet as mentioned by the customers the customers who have had the lovely experience of gambling there. Egypt Casino. The important casinos in Egypt include many but the most favourite and most visited Cairo casino is ... Top Egypt Casinos: See reviews and photos of casinos & gambling attractions in Egypt on Tripadvisor. There are about fifteen casinos on the Egyptian territory, mainly located in luxury establishments. Barrière El Gezirah casino in Cairo, Sharm Dreams hotel casino and Sharm El Sheikh's Grand Casino Sinai are among the most popular. There is a wide selection of slot machines, gaming tables, jackpots and all kinds of entertainment. At Cairo Casino you will find the best licensed online casinos for Egyptian players and the best online casinos in arabic for egyptian Players and players around the world.. Our support speaks Arabic and we have the highest bonuses for Arab players on offer افضل كازينو في القاهرة.The Landbased Casinos not considered illegal in Cairo, but the activities of citizens who are ...
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are there casinos in cairo
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