Hello everyone! Figured we would keep a running list of the upcoming shows with times and the opening act since that seems to be a common question! The times should all be the local time. Please let me know any corrections. I will keep this updated with new dates and announcements! Also figured I'd add a basic "schedule for the show" day since that seems to be a common question as well. Day of show rundown
Doors are at whatever time
8 PM - opening band should start
8:30/45 - opening act ends, set change begins
9 PM - The Killers come on
11 PM - The killers finish
Please check your venue for actual times. Times are subject to change based on the band and venue, so these are approximations based on experiences of users from recent shows. I just edited it based on my experience as well as some more feedback from other shows.
Ponte 16 is the only entertainment venue located in the cultural hub of the Inner Harbour, forming part of the ‘Historic Center of Macau’ area.
The Grande Lisboa Hotel (SJM)
The Grande Lisboa Hotel occupies an iconic modern building in the heart of Macau, with easy access to the city’s various sights and experiences. The Hotel’s golden lotus-shaped tower is a distinctive landmark and the tallest building in Macau, rising out of a huge dome and lit a variety of colors at night
The Hotel Lisboa (SJM)
The Hotel Lisboa, sitting across the street from the Grand Lisboa, was built in the 1970s and for decades remained the most famous entertainment venue in Asia.
Wynn Macau (Wynn Group)
The Wynn Macau brings a touch of American style to the Far East, with a meticulous attention to detail and a stunning Performance Lake running shows every five minutes, all day, in front of the main entrance.
MGM Macau (MGM Group)
The MGM Macau, run by MGM Resorts International and occupying some prime waterfront property in the burgeoning center of the Nam Van district, offers unparalleled entertainment from a global name. For more information you can visit: https://followmemacau.com/entert...
Heading over to Macau in June so just wondering if anyone has gone recently with any recommendations on which casinos to hit up. I've found some different accounts from reddit and tripadvisor but all are at least a year old, if not more. Hoping I'm able to find some HKD100 tables instead of the HKD200. Edit: For anyone interested, here's an update on craps availability in Macau as of June 2017 : MGM Macau - 200hkd (thursday afternoon) minimum MGM bubble craps - 50hkd min Wynn Macau - none Star World Macau - none Lisboa (both sided) - none Parisian Cotai - 200hkd min, 1 table near Rewards counter Venetian Taipa - 200hkd, 1 table near staircase (Thursday night) and 100hkd on Fri afternoon Sands Macau no craps Sands Cotai (Near entrance to St Regis) - 300 hkd during day City of Dreams - 2 tables, 100hkd day, 200 hkd night (from about 6pm onwards) All of the places above had high minimums, but at least the hardways bets were only 20-25hkd Dealers/stickmen were VERY chill. Whereas at places like MBS/RWS (Singapore) where they're very strict about raising the dice too high from the felt or shaking the dice in your hand, the guys in Macau generally let you do whatever the hell you wanted to do. My brother and I had a good run at the Venetian, and there was a Chinese dude who would just blast the dice across the table, often knocking over chips or causing the dice to ricochet ovet the table - he was only asked to tune it down once and kept doing it afterwards with a soft throw every now and then. Others would set their dice and the dealers would let them take their sweet time.
iCloud signed into last night while asleep, woke up to this. Anyone know what this is or where I should report it to?
http://imgur.com/XO16hZf (screenshot of messages app) I have since changed my password because I got an email about it as well, but I'm still unsure if that's all I needed to do. Are there other steps I should take to safeguard my phone and computer (Macbook Pro) before I consider this closed? Thanks Edit: I was curious and translated the text, and it seems to be ads for a foreign gaming thing. "🇨🇳🇨🇳🇨🇳 Macau Gaming Inspection Bureau → Recommended!
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This was my 2nd time to Macau (poker-related) and I have good news and bad news for anyone considering a trip. The good news: The games are pretty fishy and if you are a decent player you have a good chance of walking away with a profit. Both this trip and last trip I tripled my original buyin over 3 days. This time, won enough to cover my flight and hotels and still have a profit. Didn't get especially lucky either; there were upswings and downswings but I just played disciplined and aggressive poker. Note that I'm talking about the lowest limits (25 - 50 Hong Kong dollars no limit, which is about $3 - 6 USD) so games may be tougher in 50 - 100 or above. Most players there are weak-tight. 80% of the time there is no pre-flop raise. Post-flop there is more aggression, but you can profit if you learn which type of fish each player is. Some fold too easily, and some call to easily. Once you determine which is which, easy game. A few are good local regs, mostly TAG's. Just avoid getting in big pots with them if possible. The bad news: Poker is not profitable for the casinos, so more and more hotels are closing their rooms, limiting the number of tables, and upping the limits. Hotel Lisboa used to have a big room with 50 tables or so, tournaments, and lower limits (10-25 I think). Just recently they closed it all down. Hard Rock Hotel also closed their poker room. The reason is that there is a cap for each hotel on the total number of table games they can have, and baccarat is much more profitable than poker. So hotel owners look at the numbers and are ditching or really cutting back on the poker, replacing them with baccarat tables. As a result, there are only three hotels left that spread poker: The Venetian, the Wynn, and StarWorld (and this may change so check this thread on 2+2 before you go; click last to go the most recent dated post) http://forumserver.twoplustwo.com/200/regional-communities/macau-488/ So that's not much of a problem in itself. My biggest gripe is that they only have 5 to 10 tables each, so the waiting list is always super long. First night at the Venetian, I was 18th on the list and ended up waiting 6 hours. That was the worst; but other times it was always 2+ hours wait. So basically, the best strategy is to put your name on a list (early afternoon, like 2 or 3, is best), go eat, come back, sit down, and stay there all day and all night. Details and impressions about each place: Venetian: Terrible service. Rude and super slow; plus estimates for wait time were never accurate. Little to no drink service (all costs money). Play is supposed to be softer here but I didn't notice a difference. Limits: 25-50, 50-100, 100-200; NLHE only (others if there is interest) Rake: 5%, 250 HKD cap Wynn: Excellent service. They send you a text when your name is on top of the list, so you don't have to sit there waiting. Decent drink service, free unless alcoholic. Play was pretty soft at 25-50. Limits: 25-50 up to 1,000-2,000; apparently they spread the highest in the world here. They also regularly have PLO but I think 100-200 was the lowest. Rake: 5%, 200 HKD cap StarWorld (Poker King Club): I had high hopes but didn't get to play here. You can call ahead and put your name on the list, but if you're not there within 30 minutes of being called, it's back to the end of the line (which is long). They are the only place with a players card. Limits: 25-50 was the lowest; don't remember how high they went. No Omaha. But they have Sit-N-Go's on Fridays and Saturdays. This is the only "tournament" left in Macau. Rake: Don't know Another thing - not sure if it was coincidence, but most of my profits on all 3 days came between midnight and 6:00 AM. During the day time there were more nit-regs, and night time is when more tourists came out.
Bisection: Dean Blunt/Dirty Beaches DEAN BLUNT: THE REDEEMER DIRTY BEACHES DRIFTERS/LOVE IS THE DEVIL Bisection Back when I had unspooled audio tape draped on my ceiling and walls, I had the kind of time afforded to one who could spend the time hanging tape as decor. What appeal did the intestine links of Kris Kross singles flapping lazily in the smoke ring breeze have, what did it signify to me? Splayed against a white wall, the tendrils sorta resembled A snapshot of static drawn in through the antenna of my color tv. If I held a cigarette to the end of the tether, the cellophane would ignite and burn up to the ceiling as a fuse. WARNING:DO NOT TRY WITH VHS TAPE. Don’t try with any tape. I could really listen to a record then. Or cassette. Really dig into the thing, live in it. Memorize the lyrics. Act out the lyrics. Yes, this is something to do. the Fuckin Wall Side A Side B one tape. Ignoring the robotic arms of the boxy three disc CD Changer because I only had a dub. First world problem. I’d sit rapt and listen to the whole damn thing after school, the sunlight draining from the room as I descended deep into the thin ice and fascist wormfood of rock star hell. The anguish I can’t even fuck these groupies cause I’;m so high, you can lip synch that and rock back and forth like the frantic rocking of a Pink Floyd mental patient or how Scott Weiland went fetal clutchy fists during Creep Unplugged. But the big moment, of course, was “the Trial.” When I listened to the trial I had to stub out my cigarette because my vigorous gesturing and quasi Kabuki choreography was liable to come into contact with the aforementioned tape and burn my mom’s house down. I’d seen the cartoon, too, so I knew how to impersonate Roger Water’s little kinks. I could put a hand on my hip playing the spurned ex-wife because Roger was doing the heavy lifting by singing like a chick. Then the sneering headmaster, wasted potential crazee, the final admonishment of a defecating judge, man that shit had some life to it! TEAR DOWN THE WALL! I’m pretty dense, too. I couldn’t figure out if he commits suicide or just accepts the crazy. Ambiguous. Better listen to it again. And that loop continued for a couple of months when I fake played my Squire to Portrait of an American Family and so on into oblivion. I feel like Dean Blunt (THE REDEEMER) might have little moments like this too, before the skills and talents fully manifested or the expressive mode was unknowable at the time. Blunt has progressed through a recent succession of records each with a different flirtation of style in the sphere of electronic dub. The first record I heard was BLACK IS BEAUTIFUL. The tracks are named numerically and the cover art is the logo of EBONY magazine. Pitchfork named “2” best new music and it’s the track that I dig the most, too. At 2:14 it flirts with my definition of even being a song (my metric is the length of “I, Me, Mine “from Beatles Anthology Three). It sounds cheap to describe Inga Copeland’s singing as “druggy” or “syrupy” but that’s where it lumbers in that semi-conscious prom queen kind of way. On THE NARCISSIST II ,which may be one of my favorite album titles ever, cause it’s only slightly more clever than a debut act releasing GREATEST HITS (cause what’s better than being a narcissist? Being 2 of em.) Dean Blunt gives into narcissism and sings. He can’t really do it, but that’s never stopped anyone and shouldn’t. Here he conducts scotchguard one-acts THE POD style, distorted shrieks and pouty laments behind a crusty distorted effect. It’s the kind of chronological and free edited sound of tapes left on to brap or for delay experiments to write themselves. Now his new one, THE REDEEMER, is Blunt having the confidence of a real narcissist adds the grandiose treatment, sound movie Pink Floyd/Roger Waters style. His vocals come through clearer, reminiscent of Rog but still distorted and disaffected like David Thrussel of Snog. The beats are incredible when present, satisfying like early DJ Shadow and groove is fantastic and he fucks with harp glissando and piano solo for flourish. This does feel like Blunt’s widest palette. He plays the joke a little on the nose withthe angelic simulated by organ chorals, but when there’s a spiritual dude like D’EON already laying down that kind of thing, it plays a little light, especially for a record you’re not sure is LAUGHING AT YOU.The album art depicts hands folded in prayer, but it doesn’t feel like redemption and smacks of esigesis Like with THE NARCISSIST II, it kind of feels like he’s mocking me and making good shit at the same time. And someone would only call it shit because it feels so unfinished and that kind of verbal barb would be just the kind of thing to provoke a reticent man to peek over the edge. Blunt throws in the vocal samples (confused woman leaving a rambling message, ocean waves(I picture the low sine of a west coast gangster contemplating the water), New Year’s Eve and the bells. There’s a movie for this somewhere like My Life With the Thrill Kill Kult or an art(y) film like THE WALL. The actual REDEEMER is Joanne Robertson’s vocal on the straightforward “Imperial Gold” but even this recalls the pastoral folk of “Nobody Home.” THE WALL references probably aren’t fair, but the thing feels like the vibe that record pulled off: Ego run amok surrounded by devil womens and just get me a fucking Steinway so I can write this songsuite already. I always liked how Floyd’s “Nobody Home” ends with an unfinished lyric, but it was a song by my definition. Blunt’s are short scribbles that I think will become way more interesting in extrapolated context like punctuating two unconnected strands, a rapskit between a random playlist that spit out Norman Greenbaum and is queuing up Slowdive. Which, incidentally, came to mind as I was listening to “I dream in neon” on Dirty Beaches double DRIFTERS/LOVE IS THE DEVIL, the flatulent groove of “Spirit in the Sky” (and since I’m an atheist I like to imagine a Space Bus kinda like the Winnebago but trailing rainbow vapor trails like Magical Mystery Tour goin up to the spirit in the sky where I wanna go when I die) mixed with the dirge guitar of SOUVLAKI. Eno produced a song on that Slowdive record, and Dirty Beaches definitely dig some Eno My first hint? They have the fucking word “Beach” in their name which everyone knows is Eno’s natural habitat when the cycle completes reverts into landcrab abyss mode (read your appendices). “Casino Lisboa” is Alan Vega on MY LIFE WITH THE BUSH OF GHOSTS which is as awesome as it sounds. The washing machine pulse propels DRIFTERS with the kind of clenched teeth rigidity that Suicide records invoke, but fortunately Frippertronics are allowed to unfold over the mire and consistently burrow themselves into bubbling volcanic pools or insect infested cessbogs. The Tension relents somehere around LOVE IS THE DEVIL but where the split is located is not entirely clear. Probably right around “Greyhound at Night” where despondent saxophones honk over a Phil Collins-esque cymbol meditation. I like“This is not my City”’s Lesliespun koifish piano splashes that reside in what Lester Bang’s called the (in reference to ENO) “Still waters that don’t necessarily run deep” which is pretty okay criticism for when these kinds of pieces veer too far to the cinematic/ passive . Further tape manipulation is explored, but in the touch and go manner afforded the time to listen to these records, to really get inside them. It works as a synthesis of Eno’s DISCREET MUSIC, in which summation is ok. Ambient records, beside falling asleep to, by definition aren’t supposed to have the buzz of a DRIFTER and singletracks shouldn’t have to be listened to for 135 minutes in order to grasp them. Mostly these pieces work because Dirty Beaches don’t seem to be directing a movie in the same fashion that Dean Blunt is. This plays more like a Jonny Greenwood soundtrack. The thing about The WALL, is that for all its glut and righteousness and disco appropriation (YES, another brick in the wall pt.2 sounds like a fucking disco song), it was largely built of song type songs. THE WALL worked consistently for fans because they could act out those silly dramatic scenes whilst wearing a cape in under the Xmas lights of their bedrooms (there were dozens of us). Blunt works largely with the literal but he’s too obtuse or stubborn or smart to let us in on the joke. Beaches, when not cutting you in the subway, are drawing silent silver planes in their faraway Mosquito Coast brewer’s lagoon.
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Nighttime views to the lit up neighboring Casino Lisboa and Grand Lisboa Hello friends,This video you will see the night view of Macau city and Senado square, casino hotels, Grand Lisboa, Lisboa casino, Jackie chan's Grand emperor... espectáculo de contorcionismo, simplesmente fabuloso Documentary of the legal "working girls" that parade the walkway of the mall in the Lisboa Hotel (next to Casino Lisboa in Macau). Also called The Fishbowl. Macau at night.